Quiet Now

Quiet Now is an album by jazz pianist Bill Evans, recorded in 1969. It was released in 1981 on the Affinity label.
An aptly titled album from the Bill Evans Trio, Quiet Now is the jazz pianist at his most ambient and cerebral. Accompanied only by the minimalist rhythm section of bassist Eddie Gomez and drummer Marty Morell, Evans effortlessly deconstructs two pop standards, Harold Arlen's "Sleeping Bee" and his beloved "Autumn Leaves," a Johnny Mercer tune that he played seemingly hundreds of times, along with three of his own compositions and Miles Davis' "Nardis," a song Evans made his own through endless reintepretation over the course of many years. Morrel is a steady, unobtrusive drummer with a light touch and, happily, not much of a tendency to show off and even less to solo…

The Stan Getz volume in Verve's Quiet Now series is a stellar collection of ballads from the '50s and '60s when Getz and his bands led jazz polls continually. His bossa material, which is his best known, is represented here by three cuts – and no, "Girl from Ipanema" is not one of them – including "Corcovado." That said, it's his interpretations of standards such as "Little Girl Blue," "It Never Entered My Mind," "Sweet Rain," and "Serenade in Blue" that the great tenorman's true lyrical gift comes into play.

Condition Critical, Quiet Riot's follow-up to their number one, multi-million-selling commercial breakthrough Metal Health, is nearly identical to its predecessor. Not only do they repeat the hard-driving pop-metal hybrid to the last detail, they even throw in another Slade cover. Like on Metal Health, the Slade cover on Condition Critical ("Mama Weer All Crazee Now") is the finest moment on the record – it's the only time the riffs have a solid hook and the melody is memorable. However, the rest of the record is well produced and sounds good, even if the quality of the songs is somewhat poor.