R.a.p. Killer Mike

'Black Radio' and 'Black Radio II' are landmark albums that have shaped the genres of jazz, hip hop and r&b for the past decade. Direct lines can be drawn to Kamasi Washington, Thundercat, Kendrick Lamar, and black music writ large. For 'Black Radio III', 4-time grammy winner Robert Glasper cements his legacy as producer, curator and cultural icon. These collaborations range from the most powerful voices in contemporary black music (Killer Mike, ty dolla $ign, D Smoke, PJ Morton) to the most important lyricists and performers of the past 30 years (Jennifer Hudson, Ledisi, Common, Gregory Porter, Musiq Soulchild, India.Arie). 'Black Radio III' is also a statement for these times. It is Glasper's most direct statement of the frustration and opportunity of a world disrupted by social change. It is at once beautiful, powerful and innovative.

Speakerboxxx/The Love Below is the fifth studio album by American hip hop duo OutKast. It was released on September 23, 2003, by LaFace Records. Issued as a double album, its playtime of more than two hours is distributed over solo albums from each of the group's members. Big Boi's Speakerboxxx is a Southern hip hop album with a P-Funk influence, while André 3000's The Love Below features psychedelic, pop, funk, electro, and jazz styles.

Produced by Grammy-winner Jim Gaines (Santana, Steve Ray Vaughan, and Journey) and recorded at Sonic Ranch in, Tornillo, Texas, Mississippi Bar BQ showcases 10 original songs, plus a killer cover of Dylan’s classic “Knockin’ on Heaven’s Door.” Backing Zac’s guitar and vocals on most of the tracks are The Rays: Bob Trenchard – bass; Richy Puga – drums; Johnny McGhee – guitar; Dan Ferguson – keyboards; Mike Middleton – trumpet; Andy Roman - alto sax; Nick Flood - tenor and baritone sax; and Drake Dominigue - trombone and tuba. Several other tracks feature Zac Harmon and his regular touring band.

Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes: beauty and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and his Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring.