R.s.grey

Trombonist Al Grey is joined by emerging young tenor saxophonist Billy Mitchell on this pair of 1962 sessions, which were originally issued as an Argo LP and finally reissued on a limited-edition CD by Verve in 2003. The first five tracks also feature trumpeter Dave Burns and obscure pianist Floyd Morris. "Nothing But the Truth" is smoldering up-tempo blues with a bit of a gospel flavor, while Morris gets into the groove of the mid-tempo "Three-Fourth Blues." Mitchell especially shines on Melba Liston's soulful ballad "Just Waiting." The three tracks from the earlier session feature Donald Byrd on trumpet and Herbie Hancock on piano. Also here is the slashing hard bop composition "Minor on Top." Another Liston piece, "African Lady," is complex and showcases Grey's sensitive solo.

It's difficult to find a review of JJ Grey's music that doesn't use the word "swamp" to describe his blend of deep Southern soul and murky funk. So that's taken care of in the first sentence here, which leaves plenty of room to focus on his fourth album's low-key yet surging backwoods R&B. The disc's title and title track refer to Grey's home state of Florida's official flower, but there is little that is floral or sunshiny about his music. Rather, the Jacksonville-based Grey prefers to hover in the gloaming, layering horns and backing vocals over grinding, midtempo blue-eyed soul. This is the most elaborately produced of his albums, but like the chitlin' circuit blues in his blood, there is nothing slick about it…

The way Grey and band combine their loosely played (not sloppy) roots meld of Southern R&B, country, blues, gospel, and muddy pop has a way of gaining in intensity, whether they are playing vintage tunes or newer ones; it's instictive, not something you can rehearse. Grey's voice is much grittier live than on records, it is a catalyst for the band to build upon and they do so whenever presented with the opportunity. The Brighter Days film was by Spookie Daly. The multi-camera concert footage is spontaneous, capturing the band in full-on, sweat-streaked glory, feeding off the crowd and passing good vibes back to them. The audio CD doesn't come off quite as well. Perhaps it's the lack of between-song banter, or that seeing a band play numerous choruses of a particular tune translates better in visual rather than the aural mediums…

A good concert by Richard Sinclair and Caravan of Dreams, recorded in Genova, Italy in 1993 with a stunning and satisfying audio quality. A pleasant mix of Caravan, Hatfield and the North, Matching Mole classics and then new songs by Richard Sinclair. Originally released by Mellow Records, now rare.