Seven years and three albums on from their debut (not counting the older tapes dusted off and given belated release as 3 and 3 Quarters), Radio Moscow haven't changed a whole lot - these guys still sound like they've passed through a time portal en route to a gig at some psychedelic ballroom in 1969, and after warming up their amps and burning down some weed, they're ready to bring the rock to the people. Radio Moscow have once again put their allegiance to the high life front and center, with a large psychoactive mushroom towering over the horizon under a giant rainbow on the front cover of 2014's Magical Dirt. However, Radio Moscow have made one fairly important upgrade with Magical Dirt - instead of bandleader Parker Griggs handling both guitar and drums in the studio through the magic of multi-tracking, as he's done on their previous albums…
It seems as though the majority of rockers circa the early 21st century have become to be too fascinated and mesmerized by modern day technology, sounds, and production. In other words…it sounds like it’s getting further and further away the sound of a band playing together live – all together in the same room. Thankfully, we can always count on the lads in Radio Moscow to deliver real vintage rock sounds – as heard throughout their performance at the Crossroads Festival, which is now officially released as the CD/DVD, “Crossroads Festival 2015.”
The fifth studio album by psychedelic blues rockers RADIO MOSCOW. A brilliant and passionate clash of Hendrix-like guitar wizardry, the swing of Cream and a heavy dose of raw, bluesy hard rock!
Radio Moscow is a film by Nicholas Triantafyllidis. Nicholas and Blaine are friends. Blaine appeared as an actor in this film. Blaine L. Reininger is one of the creative mainsprings behind the cult avant-garde band Tuxedomoon. As a solo artist he has produced some ten solo albums, including Broken Fingers (1982), Night Air (1984), Live in Brussels (1986), Instrumentals (1989) and Night Air #2 (2004). Elektra/Radio Moscow combines two haunting instrumental soundtracks written and arranged by Blaine. Elektra was commissioned for a version of the Sophocles play staged at the Athens Festival in Summer 2006 by director Angela Brusko. Radio Moscow is the score for the 1995 film of the same name by director Nicholas Triandafyllidis.
Chaotic from start to finish, Radio Moscow's third album Great Escape of Leslie Magnafuzz is all about playing vintage riffs as hard and fast as possible. The group takes the fundamentals of garage and blues-rock, and pushes them to the max with on-stage energy. The only thing is, they aren’t a group at all. With the exception of the bass parts handled by bassist Zack Anderson, Parker Griggs plays every instrument on the record. His hyperactive drumming and screaming, wah-wah fuzz guitar solos are beyond showy, and he’s a powerful singer to boot, with his beefy yet tuneful growl. The mood and tempo of Great Escape of Leslie Magnafuzz is relentless, which can be a plus, but because there isn't much variety in Griggs and Anderson's simple, blues-based musical vocabulary, the multi-sectioned songs sometimes run on and on, like aimless jams, until the intensity starts to become a blur…