Winning first prize at the 1989 Van Cliburn Competition, Alexei Sultanov enjoyed a meteoric rise of epic proportions, with a major recording contract, Carnegie Hall recital, American and European tours, and TV appearances with Johnny Carson, David Letterman, and other notables. But Sultanov's star soon fell to Earth as critics would often characterize his bold style in unflattering terms, finding his interpretive manner feral and superficial, and his herculean fortes ostentatious: he broke a string during a performance of the Liszt First Mephisto Waltz at the Cliburn Competition. But the youthful pianist's health soon proved a more formidable opponent than any critic's pen, as a series of strokes sabotaged his career, eventually leaving him paralyzed on his left side after 2001. Though he died at 35, Sultanov left a memorable though controversial legacy. His Prokofiev, Chopin, Rachmaninov, and Scriabin could rivet the listener, while his Beethoven and Mozart might have been less consistently engaging. His recordings, mostly available from Warner Classics, document the enormous talent of this imaginative performer, a pianist unafraid to take interpretive chances.
That the cello's repertoire has been so wonderfully enriched during the 20th century is due largely to Mstislav Rostropovich, the most influential cellist of his time, a champion of liberty, and also a noted conductor and pianist. Born In Baku on 27 March 1927 to a pianist mother and a cello-playing father who had studied with Pablo Casals, 'Slava' received early paternal grounding in his chosen instrument.
Alfred Schnittke’s use of the elegiac voice of the cello evokes Russian musical tradition and history. His works for the cello were to a large extent inspired by his friendship and close collaboration with the exceptional musicians Mstislav Rostropovich, Alexander Ivashkin and Natalia Gutman, to all of whom he dedicated works. Rostropovich has said about the composer: ‘As far as I am concerned, the most remarkable thing about Schnittke is his all-embracing, all-encompassing genius… he uses everything invented before him. Uses it as his palette, his colours. And it is all so organic: for example, diatonic music goes side by side with complex atonal polyphony.’
Many collectors would agree that Sviatoslav Richter was the greatest pianist of the 20th century. His enormous recorded legacy hides hundreds of treasures, many of which are included in this beautiful 51CD set. Released to celebrate the 100th anniversary of his birth (20th March 2015), the edition encompasses his complete Decca, Philips and DG recordings, including his Sofia Recital as well as his collaborations with Rostropovich, Karajan and Benjamin Britten.
A compelling performance… "Recorded live in the Great Hall of the Tchaikovsky State Conservatory at the 1st and 2nd rounds of the XI International Tchaikovsky Competition" in June 1998… by one of the era's most talented musicians. In his too-short life and altogether too-brief career, Mr. Sultanov engendered controversy and conflict in the music world with his take-no-prisoners style that demanded complete surrender, enchanting many and offending others, and, as a result, he was unfairly denied the acclaim and honors for which he strove, which he had every right to expect from us, and which he so richly deserved. In every performance (now, alas, recorded only), he offers a precious gift, as if to say, each time, "Here, take it, it's yours." Those who acknowledge and accept the gift are blessed by a new and greater understanding of what they hear, as though for the first time.
A special limited-edition 50 CD set of the world's favourite piano concertos, sonatas and other solo pieces. A host of famous pianists perform music from J.S.Bach to Tchaikovsky, Rachmaninov, Prokofiev and Gershwin. This collection of discs includes the five Beethoven Concertos, three Rachmaninov Concertos as well as concertos by Brahms, Grieg, Mendelssohn, Liszt, Schumann and Ravel as well as six Mozart Concertos.