As popular and well-known as Henry Mancini was when he was alive, only after his death in 1994 have the substantial musical tributes been coming - and the tunes included on this graceful disc were suggested by the composer himself. Mancini was, of course, a product of the big band era - and thus, steeped in jazz - and his movie themes often make gratifying basic material for ballad improvisations. With only Gil Goldstein's electronic keyboards (used sparingly and strictly in a jazz context), Todd Coolman's bass, and Terri Lyne Carrington's drums to back him up, Moody's tenor, alto and soprano solos are consistently warm, melodic, and easy to assimilate, with a few nudges outside the changes on "Charade"…
Eric Marienthal has always had limitless potential. Primarily known as an altoist but also an excellent player on tenor and soprano, Marienthal came to fame with Chick Corea's Elektric Band and tends to sound at his best when teamed with players of that caliber. Many of his own projects suffer from overproduction, a lack of spontaneity and commercial material, but that is not true of Crossroads. In groups ranging from quartets to sextets, Marienthal is challenged by the material (all group originals), matching wits with the likes of keyboardist Russell Ferrante (from the Yellowjackets), bassist John Patitucci and, on three selections, Chick Corea. Crossroads contains some of Eric Marienthal's finest playing outside of the context of the Elektric Band.
The Choir of the West is the premier choral ensemble of the Department of Music at Pacific Lutheran University, located in Tacoma, Washington. The choir was founded in 1926, and was the third Lutheran college choir to tour extensively throughout the United States. Choir of the West has toured to Europe, Scandinavia, Japan and China, and has been selected to appear at several regional and national conferences of the National Association for Music Education and the American Choral Directors Association.