Rainbow Kesha

Kesha’s third album, 2017’s Rainbow, came with more baggage than any pop album should be asked to carry. Her first project since her high-profile lawsuit against former collaborator Dr. Luke and its subsequent legal and label entanglements, it was heralded on arrival as a bold and cathartic statement of intent, but wasn’t necessarily the good-time dance-pop she’d made her name on. Three years later, the 15 cheeky, genre-hopping songs that make up High Road are about—and the results of—having a lot of that weight lifted. “I just tried to make it as low-pressure as possible because I feel like my whole career has been this race against time,” she tells Apple Music. “And on this album, I didn't know exactly what I wanted to make—exactly what genre, exactly what sound—and I wanted to not put a time on it and just see what would happen if I allowed that for myself.”

Los Angeles staple Carlos Niño teams up with The Pyramids' Idris Ackamoor and guitarist/producer Nate Mercereau, cutting Ackamoor's free-spirited tenor wails with tempered new age percussion and celestial synths.