Ralph Vaughan Williams

Two late, great Vaughan Williams symphonies: with the ‘Antartica’ and No 9, Martyn Brabbins and his BBC forces complete a cycle enthusiastically acclaimed by Radio 3 Record Review as ‘unmissable’.

This recording focusses on arrangements made by Vaughan Williams for The Oxford Book of Carols (1928), coupled with two later carols published by OUP. Many of the tunes are far from well-known and deserve a new audience. 10 of the 22 tracks are first recordings, but reserve the right to have overlooked one or two amidst the vast but very mixed heritage of recorded carols. The preface to The Oxford Book of Carols tells us that: "Variety in the method of singing is even more important than with hymns, and the verses should never be sung straight through all in the same way".

Bakels draws ravishing sounds from the Bournemouth Symphony Orchestra, notably the strings…A thrilling experience…this is a performance to stimulate the ear.

This release is part of the complete cycle of Vaughan Williams' symphonies undertaken by the BBC Symphony Orchestra and the energetic Martyn Brabbins holding the baton. Like others in the series, the reading of the Symphony No. 5 is a strong performance, understated in the English way, with themes arising naturally, as if organically. Listen to the emergence of the second theme in the opening movement for a good idea of what to expect from the whole. The big news here is the presence of a new Vaughan Williams work: the Scenes Adapted from Bunyan's Pilgrim's Progress, composed in 1906.

André Previn recorded this symphony twice, the first time around for RCA with the London Symphony Orchestra. That was, and is, a very fine performance, but this one is finer still. His tempos have slowed somewhat since that first version, but the truth is that you'd never notice unless you listened to music with a stopwatch. Vaughan Williams said that of all of his symphonies, this one was his personal favorite, and it's easy to understand why. The music has a very personal tunefulness and vigor, while the orchestration has a subtlety that clearly reflects the composer's period of study with Ravel. If you don't come away from this excellent performance thinking that the slow movement isn't among the most beautiful pieces of music in the universe, then listen again.

It is a revelation to hear every note that Vaughan Williams wrote, late in 1947, for the then unmade film Scott of the Antarctic. There have been previous attempts to revisit some of the unused music he sketched for the film, but now conductor Martin Yates, with the support of the composer’s estate, has transcribed from the original manuscripts all the music, comprising some 41 beautifully rounded numbers. Vaughan Williams subsequently reworked some of this material in the Sinfonia Antartica, but on this recording we are able to hear for the first time his vivid reaction to the story, before the film was even shot. Standing independently beside the Sinfonia Antartica, this is a gripping symphonic experience in its own right.

This program from the BBC Symphony Orchestra features compelling performances of two very different symphonies. The complex, visionary pantheism of Vaughan Williams's 'Pastoral' is an ideal foil for the unbridled ferocity of his Symphony No.4. The album includes an special bonus - Martyn Brabbins's idiomatic realization of Saraband 'Helen' - heard here in it's first recording.

This recording presents a magnificent opportunity to hear for the first time an 81-minute orchestral score by Vaughan Williams in good sound. Not to be missed.

It is a revelation to hear every note that Vaughan Williams wrote, late in 1947, for the then unmade film Scott of the Antarctic. There have been previous attempts to revisit some of the unused music he sketched for the film, but now conductor Martin Yates, with the support of the composer’s estate, has transcribed from the original manuscripts all the music, comprising some 41 beautifully rounded numbers. Vaughan Williams subsequently reworked some of this material in the Sinfonia Antartica, but on this recording we are able to hear for the first time his vivid reaction to the story, before the film was even shot. Standing independently beside the Sinfonia Antartica, this is a gripping symphonic experience in its own right.