Range Scans

DiFranco spruces up her sparse folk arrangements with the odd brass band, accordion, and even an electric guitar or two, but the meat of these songs is still her distinctively funky acoustic guitar style (she borrowed her rhythmic plucking technique from R&B, but unplugged, it bears no resemblance to its genre of origin). Meanwhile, DiFranco's spunky activist lyrics are tempered here by a bigger dose of vulnerability than in previous albums, which allows for a unique mix of anger, humor, and poignancy. The best songs this time around are not bitter, but quietly reflective ("You Had Time," "Buildings and Bridges," "If He Tries Anything").

Bruce Hornsby's hardest-rocking album, A Night on the Town announces that he is heading into a different direction in its first few notes. John Mellencamp's producer Don Gehman gives the sound, especially John Molo's drums, a feel reminiscent of Mellencamp's best work. The material here is among Hornsby's best, and guest players include Jerry Garcia, tenor saxman Wayne Shorter, banjo virtuoso Béla Fleck, vocalist Shawn Colvin (before she was known), and jazz bass legend Charlie Haden. The arrangements still include the mix of synthesized and real percussion, and the trademark piano licks are sprinkled abundantly throughout, but the overall feel is much more rock & roll than anything before or since.

This disc is a wonderful way to showcase Leif Ove Andsnes’ pianistic talents in contemporary music; not a genre usually associated with him. It is much more than just an exercise in virtuosity, though it takes a real virtuoso to make these at times knotty works sound as spontaneous as they do here. The program is well balanced, too, beginning and ending with solo pieces by the Dane Bent Sørensen that frame two major piano concertos. Eight selections from Kurtág’s continuing series of miniature “games,” forms the disc’s midpoint. Not all the works presented are of equal quality, though. I found the two Sorensen pieces rather slight in comparison with the other works and have not completely made up my mind about Dalbavie’s Piano Concerto. There is no doubt, however, that Lutosławski’s Piano Concerto and the Kurtág Játékok selections are masterpieces that have gained a foothold in the late twentieth-century repertoire.

Target was an exciting US Quintet from Memphis that featured the legendary Jimi Jamison (Cobra / Survivor) on vocals. They released two albums on A & M in 1976 (Target) and 1977 (Captured). However, it has come to light that a third album was recorded in 1979, entitled “In Range” before the band split in 1982. In Range’ was recorded in the autumn of 1979: it took the band about two to three weeks to do this third album. What an album it is though, this is Target’s best recording, chock full of quality songs and musicianship. Its criminal it has laid dormant for so long, but here it is for you on Escape Music.

Blues on the Range is a nice, but not particularly noteworthy, set of traditional blues. What makes the album worth a listen is Roy Rogers' facility as a slide player - he can make his guitar sing. However, the quality of the songs and performances are slightly uneven, making it only of interest to die-hard fans.
A northern California-based blues guitarist, Roy Rogers works firmly out of a Delta blues acoustic style and is particularly good with a slide. A member of John Lee Hooker's '80s Coast to Coast Band, Rogers produced and played on Hooker's Grammy-winning comeback album, The Healer, and its follow-up, Mr. Lucky. During the early '70s, Rogers played with a variety of Bay Area bar bands…