Ravel: Shéhérazade, M.41 1. Asie

Ravel’s works cover many different styles but his orchestrations and scores are united by their ability to transport the listener – from the majestic Bolero, to the story of Daphnis et Chloe, the enchanting Mother Goose Suite and the atmospheric piano works. Artists include Pierre Boulez, Pierre-Laurent Aimard, Martha Argerich and Claudio Abbado.

As part of Deutsche Grammophon’s release of a limited and numbered edition of Claudio Abbado’s complete recordings for DG, Decca and Philips, you can now enjoy Volume 11 in a series of 16 digital albums, which are organised in alphabetical order of composer name. This eleventh digital album presents music by Prokofiev, Rachmaninoff and Ravel.

The Canadian contralto Marie-Nicole Lemieux, with the Orchestre Philharmonique de Monte-Carlo and its Artistic and Music Director Kazuki Yamada, interprets the now ‘traditional’ recorded pairing of two sumptuous, escapist French song cycles: Berlioz’s Les Nuits d’été and Ravel’s Shéhérazade. Complementing them both musically and thematically is a third, less frequently heard cycle by another great French composer, Camille Saint-Saëns: his Mélodies Persanes (Persian Songs). “From the first note to the last, Lemieux’s interpretation of the Berlioz was exemplary …” wrote Bachtrack when she performed Les Nuits d’été in Paris. “From the depths of her lower register to her shimmering high notes, she traced a supple trajectory through the work, phrasing with amplitude and missing no opportunity for word-painting.”

The Canadian contralto Marie-Nicole Lemieux, with the Orchestre Philharmonique de Monte-Carlo and its Artistic and Music Director Kazuki Yamada, interprets the now ‘traditional’ recorded pairing of two sumptuous, escapist French song cycles: Berlioz’s Les Nuits d’été and Ravel’s Shéhérazade. Complementing them both musically and thematically is a third, less frequently heard cycle by another great French composer, Camille Saint-Saëns: his Mélodies Persanes (Persian Songs). “From the first note to the last, Lemieux’s interpretation of the Berlioz was exemplary …” wrote Bachtrack when she performed Les Nuits d’été in Paris. “From the depths of her lower register to her shimmering high notes, she traced a supple trajectory through the work, phrasing with amplitude and missing no opportunity for word-painting.”