Ray Charles

Ray Charles (1930-2004) led one of the most extraordinary lives of any popular musician. In Brother Ray, he reveals his story unsparingly, from the chronicle of his musical development to his heroin addiction to his tangled romantic life. Overcoming poverty, blindness, the loss of his parents, and the pervasive racism of the era, Ray Charles was acclaimed worldwide as a genius by the age of thirty-two. By combining the influences of gospel, jazz, blues, and country music, he invented, almost single-handedly, what became known as “soul.” And throughout a career spanning more than a half century, Ray Charles remained in complete control of his life and his music, allowing nobody to tell him what he could or couldn’t do.

Just discovered in 2021, the previously unreleased Ray Charles Live In Stockholm 1972, captures Charles at the height of his powers in one of his best live recordings ever. Recorded on a magical night in 1972, this set faithfully captures great moments and arrangements often heard in Ray’s live performances but rarely, if ever, on record. The evening begins with a rip-roaring rendition of Ray’s classic concert opener, “Alexander’s Ragtime Band” followed by an electrifying “What’d I Say”. Ray then delivers two more rarities, a gut-wrenching bluesy rendition of “I’ve Had My Fun” followed by “Games People Play,” a number that features each of Ray’s legendary 1972 Raelettes. The set continues with Ray’s unique live arrangements of “Don’t Change On Me” and “I Can’t Stop Loving You” before closing with the hard-swinging band feature “Marie” followed by an extended 8-minute version of “I’ve Got A Woman” that sees Ray riffing on his 1954 hit, building to a finale that brings the house down.

Ray Charles was the musician most responsible for developing soul music. Singers like Sam Cooke and Jackie Wilson also did a great deal to pioneer the form, but Charles did even more to devise a new form of black pop by merging '50s R&B with gospel-powered vocals, adding plenty of flavor from contemporary jazz, blues, and (in the '60s) country. Then there was his singing; his style was among the most emotional and easily identifiable of any 20th century performer, up there with the likes of Elvis and Billie Holiday. He was also a superb keyboard player, arranger, and bandleader…