Ray Ray Brown

Although André Previn had not recorded a regular jazz album in 27 years at this point in time (discounting a pair of Itzhak Perlman sessions featuring Previn's compositions), the great majority of the performances on this trio set with guitarist Joe Pass and bassist Ray Brown are first takes. Previn took time off from his busy schedule in the classical music world to return briefly to jazz, his first love. The results are often magical. Previn, Pass and Brown play together as if they had been touring as a group for years. The pianist is generous with solo space and Pass' solos are sometimes exhilarating. For Previn, it is as if the previous three decades did not occur for he plays in a style little changed from 1960, displaying an Oscar Peterson influence mixed in with touches of Lennie Tristano and Bill Evans.

These four CDs represent the most creative period of Ray Charles’ life – roughly 1954 to 1962. He died in 2004 and, at the time of his death, was working on a duets album which was released, very appropriately, as Genius And Friends. When the excellent bio-pic, Ray was released with Jamie Foxx, one of the straplines was a quote from Frank Sinatra, “Ray Charles is the only genius in our business.”

The title of this CD certainly fits the players. Pianist Oscar Peterson (who switches to organ on two of the eight selections), guitarist Joe Pass, and bassist Ray Brown would each be on literally dozens of recordings for Norman Granz's Pablo label; all are worth acquiring by fans of straightahead jazz. This particular set has three Peterson originals (including one called "Jobim"), a few veteran standards, and Quincy Jones's "Eyes of Love."

Originally from Montana, but now living, performing, and teaching in San Diego, this is Kristin Korb's first album. Not possessed with an especially powerful set of vocal chords, Korb nonetheless weaves delicate figures with a clear, cool, almost vibrato-less voice. Scatting, but not to the point where lyrics are entirely ignored, she's a pleasant, if not overwhelming, addition to the world of jazz vocals. Korb is joined on this session by the dean of bass players, Ray Brown, and his trio that features the outstanding, hard driving piano player Benny Green, an outstanding soloist in his own right. The trio is augmented by two veterans, Plas Johnson on tenor sax and Conte Candoli on trumpet. Johnson, unfairly, is pretty much known for his work on Henry Mancini's Pink Panther. He has done much more and better work, such as with T-Bone Walker…