Read 薛凯琪

A tasty trio date from this under-recognized pianist, accompanied by the fine rhythm tandem of J.F. Jenny-Clark and Daniel Humair. The album leaps into gear with the fiery "Guylene," a piece that finds Kuhn sounding like Hancock or Jarrett at their most aggressive, his bright tone cascading throughout. He has an innate lyricism that, in his softer moments, recalls Paul Bley. In fact, if criticism can be made, it's that Kuhn often sounds like pastiches of various players, although fine ones. It's a bit difficult to hear his own personality coming through. The longest cut, "Open de Trio," is apparently improvised and provides still more strong playing, the trio gradually working up a serious storm.

A tasty trio date from this under-recognized pianist, accompanied by the fine rhythm tandem of J.F. Jenny-Clark and Daniel Humair. The album leaps into gear with the fiery "Guylene," a piece that finds Kuhn sounding like Hancock or Jarrett at their most aggressive, his bright tone cascading throughout. He has an innate lyricism that, in his softer moments, recalls Paul Bley.

The present collection of Augusta Read Thomas's works spans 18 years, from 1999 to 2017. It juxtaposes the two sides of Thomas that we've already encountered in previous volumes, the large-scale thinker in the cello concerto Ritual Incantations, the piano trio Klee Musings and the recent string quartet Chi, and the miniaturist in the six other works which on this disc act as satellites to the above-mentioned three larger works. Two sides that, paradoxically, seem to share more similarities than differences. Common to all the works collected here are the sunny, free-wheeling lyricism, luminosity, sense of colour, spontaneity, caprice, playfulness and spirituality which have long been ineradicable characteristics of her nuanced music, all tied up with an irrepressible energy and a sense of irreducible concision no matter how expansive the time frame, of taking all the time in the world to say everything that needs to be said in any given piece, but not a second more than that!

Part of a major series of recordings of works by Augusta Read Thomas being released by Nimbus Records, this CD originates from a concert by musicians of the University of Illinois, which took place on December 9th 2014 in celebration of Thomas' 50th birthday. The works of Thomas gathered here cover a relatively short span in this composer's chronology just 13 years from the earliest work (Bells Ring Summer, from 2000) to the most recent (the song Twilight Butterfly, from 2013).