Real Rock Book

This pack contains collections of standard scores, mainly jazz. Almost everything is written for instruments in C except the last one in Eb. There is also the Real Book Bass which is written in key of fa. …

Particles presents the first ever box set anthology of Ireland's 1960s rock music scene. Only two long-out-of-print compilations have ever emerged to profile Ireland's rock roots, making this anthology doubly inviting. From the R&B/blues scene in Belfast to the late 1960s psychedelia of Dublin, People! Let's Freak Out reveals a wider account of the beat scene, and its transition into psychedelia and blues rock. While Ireland has never been given equal acclaim to that of its neighboring England, it nevertheless produced some of the most iconic and influential bands of the period. As Van Morrison and Them were leaving Belfast for London, a slew of new hopefuls arrived to establish their own niche under the nose of the dominant showband scene. Compiled here, are 125 original recordings featuring various groups from Eire and Northern Ireland, some of whom went on to huge success in the 1970s. From Ian Whitcomb to Eire Apparent, The Bye-Laws to the Belfast Gypsies and Gentry to Sugar Shack, People! Let's Freak Out is a fascinating account of Ireland's more obscure and vibrant music scene of the 1960s. Spanning five discs with rare and previously unreleased recording People! Let's Freak Out offers an excellent companion to similar anthologies such as Nuggets, Rubble, and Buried Alive.

Be honest: What do terms such as “rock ‘n’ roll“ or “rock musician” generally call to mind? Surely for most of us, it is the image of a slightly spent male in his mid-fifties, covered with tattoos and living in Los Angeles with an attitude towards the music business that suggests he handles the girls and the alcohol while his management deals with the entire rest. This image has one crucial fault: Real rock ‘n’ roll is no stereotype designed in the 80s, rather timeless and most of all, a way of life. A proof for this are, believe it or not, five musicians of only half the age of said stereotype who live about 9.500 miles away from Los Angeles. KISSIN’ DYNAMITE from southern Germany have already been around for eleven years and will release their new studio album “Ecstasy” this summer…

2021 release, the final studio album by the British singer/songwriter, keyboard player, guitarist and multi-instrumentalist Ken Hensley. On 5th November 2020 it was with great sadness that Ken Hensley, former Uriah Heep keyboard player and songwriter passed away peacefully following a very short illness. Hensley was one of the most important musicians of the past half-a-century. His work with Uriah Heep in the 1970s helped to make the band hugely influential. He also collaborated with bands such as Blackfoot, W.A.S.P. and Cinderella, as well as building a very successful solo career. As a writer he was responsible for such classics as ‘Lady In Black’, ‘Easy Livin”, “July Morning” and ‘Look At Yourself’. Few artists can claim to have had a musical career and pedigree as long, varied and impressive.

For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.