Records 1.5.4

After 35 years and the release of over 2800 contemporary blues tracks, it's safe to say that Bruce Iglauer's Alligator Records is the world's premier blues label, particularly if sheer numbers are factored in, and while the label's releases tend to sound mind-numbingly similar sometimes, this two-disc overview of Alligator's history shows how much raw vitality the blues still has in its tank. Alligator Records 35X35, arranged chronologically and featuring a selection drawn from each of the artist's debut albums with Alligator, gets rolling right where it all began, with Hound Dog Taylor's "She's Gone" from 1971, and marches through to 2004, closing the second disc with a stunning version of "See That My Grave Is Kept Clean" (here called "A Dying Man's Plea") by the great Mavis Staples, who makes clear the deep affinity of gospel to the blues, or vice versa, since the two forms philosophically complete each other, the way Saturday marches straight into Sunday.

The German organist and choral conductor, Gerhard Weinberger, studied organ with Franz Lehrndorfer and church music at the Musikhochschule in Munich. In 1971, he was the prize winner in organ at the renowned international ARD Music Competition.
In 1974, after spending three years directing the choir at Saint Lorenz Basilica in Kempten, Gerhard Weinberger assumed a teaching post in organ and church music at the Munich Musikhochschule. He was Professor of Organ there from 1977 to 1983. Currently he is Professor of Organ and Director of the Church Music Department at the Hochschule für Musik in Detmold, Germany. He is a member of the European Academy of Sciences and Arts, and of the Leipzig New Bach Society directorate.
Gerhard Weinberger's wide repertoire ranges from pre-Baroque to music of the 20th century, with a special emphasis on the works of J.S. Bach and Max Reger. He has given recitals throughout Europe, Asia and America.
Gerhard Weinberger has released close to fifty recordings, including the complete organ works of J.S. Bach on twenty-one compact discs. He has published the first complete edition of the organ works of Johann Ludwig Krebs and the organ works of Robert Schumann.

Edsel is pleased to announce the release of a comprehensive Five Star box set, which has been personally curated by DENISE PEARSON. Five Star were managed by their Father, Buster Pearson who harboured the idea that his talented children could be the UK's 1980s version of an older Jackson 5. Following an appearance on BBC One's Pebble Mill in 1983, Five Star signed to RCA Records then spent 1984 honing their craft and performing at numerous club PAs around the country…

The project of experimental musician Daniel Lopatin, Oneohtrix Point Never explores how history, memory, and music intersect in retro synth reveries and more complex works. The flowing electronics of OPN's early albums - which were gathered in the acclaimed 2009 collection Rifts - suggested Lopatin was an heir to Tangerine Dream. However, he soon revealed other layers to his music with a string of releases that reflected his interest in high art as well as pop-culture artifacts including video games, science fiction, anime, and advertising (which Lopatin sampled cleverly on 2011's Replica). After signing to Warp Records, Oneohtrix Point Never only grew more adventurous with albums like 2015's Garden of Delete, an improbable yet moving fusion of metal, trance, R&B, and Top 40 pop. During this time, Lopatin also became an award-winning film composer…

With its global line-up of talent and generally high quality control, the Chill Out Or Die series from Rising High Records played a major role in the rebirth of ambient music via dance and rave culture in the 1990's. The music on the Chill Out Or Die albums was actually an exception to the majority of the label's output which focused on club records, from gabba hardcore and hard techno to more accessible trance, techno and house. The joy of discovery, the sense of wonder, the weirdness of trying new things with new technological tools: it's all there in abundance on the Chill Out Or Die series…

The Austrian Document Records label begins its series of CDs presenting Leadbelly's commercial recordings in chronological order from 1939, although annotator Ken Romanowski acknowledges that the singer "had recorded a combined total of well over two hundred titles" prior to that date, tracks made either for the Library of Congress or ARC Records under the auspices of John Lomax. Still, most of those tracks had not been issued, and, contrarily, most became readily available later on either Elektra or Columbia Records. Two exceptions are 1935 alternate takes of "Daddy I'm Coming Back to You" (take three) and "Shorty George" (take two), which lead this album off as bonus tracks…

Lakeshore Records presents Mr. Robot - USA Network's Golden Globe, Emmy Award-Winning Series.
"Elliot uses programming and social engineering techniques to seek and exploit weakness in computer networks, and I use programming and sonic engineering techniques to help enhance the emotional content of each scene," said Mac Quayle. "Armed with our computers and an arsenal of software tools, we both attempt to create and discover the right combination of notes (code) and sounds (keystrokes) that help tell the story (access the network)."
"For this soundtrack, the idea was to include as much music as possible from Season 1 and organize it chronologically by episode," Quayle described. He used an almost all electronic palette for the show, adding only one organic instrument - a piano…

B.B. King - "Here's One You Didn't Know About": from the RPM & Kent Vaults (2015) {Ace Records CDTOP1457 rec 1954-1962}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 413 Mb | MP3 @320 -> 191 Mb
Full Artwork @ 300 dpi (jpg) -> 73 Mb | 5% repair rar
© 1954-62, 2015 Modern Records / Ace Records | CDTOP 1457
Blues / Modern Electric Blues / Soul Blues / Early R&B / Memphis Blues

The great bluesman B.B. King, who died in 2015, was one of the few artists whose every note was of interest. This 25-track CD of mostly previously unissued recordings are drawn from his sessions for Modern Records between 1954 and 1962. Be Careful Baby is a rare thing a B.B. King song that has never been released before in any version, while two tracks appeared on Ace's 2014 RPM compilation Speak Easy. The version of Catfish Blues is from a completely different session to the familiar issued version and from B.B.'s commentary appears to be the version he played on the road. There are many comments from B.B. and the band which provide an insight into the recording process and B.B.'s relaxed and informal manner in the studio. The CD ends with a previous unheard interview, recorded backstage at the Fillmore Ballroom in San Francisco with radio station KSAY at the 10/10 spot on your dial. All tracks are from the original master tapes.