Recueil Des Coursvolume 170 (1981 I)

La créativité est la voie royale d'expression et d'apprivoisement des émotions !
Joie, colère, peur, tristesse, impatience, amour… : les émotions sont au coeur des journées de nos enfants. Ils les vivent avec une intensité qui les déborde, laissant l'adulte souvent démuni. …

Fire Wind is the second album released by Electric Sun. Electric Sun was a heavy metal formed by Uli Jon Roth after his departure from the Scorpions in 1978. They recorded three albums between 1979 and 1985. The first album, Earthquake, was released in 1979 and features guitarist/vocalist Roth, bassist Ule Ritgen and drummer Clive Edwards. Edwards departed quickly after recording the first album. Fire Wind came next in 1981, featuring new drummer Sidhatta Gautama. The band toured for a few years afterwards. While the first two albums were a trio format, the third album was more of an ensemble project. Veteran drummer Clive Bunker, formerly of Jethro Tull, appeared, as did Ritgen, vocalist Michael Flexig and guest vocalist Nicky Moore, as well as an array of additional various singers and orchestral musicians.

Escape was a groundbreaking album for San Francisco's Journey, charting three singles inside Billboard's Top Ten, with "Don't Stop Believing" reaching number nine, "Who's Crying Now" number four, and "Open Arms" peaking at number two and holding there for six weeks. Escape flung Journey steadfastly into the AOR arena, combining Neal Schon's grand yet palatable guitar playing with Jonathan Cain's blatant keyboards. All this was topped off by the passionate, wide-ranged vocals of Steve Perry, who is the true lifeblood of this album, and this band. The songs on Escape are more rock-flavored, with more hooks and a harder cadence compared to their former sound. "Who's Crying Now" spotlights the sweeping fervor of Perry's voice, whose theme about the ups and downs of a relationship was plentiful in Journey's repertoire…

Stanley Clarke and George Duke,two musical titans who'd worked together for years finaly get around to doing a duo album, namely one that emphasises the funk that both artist's regular releases tended to skim over and considering funk is both artists best asset,that's a wonderful thing.

Following on from the success of Vienna, Ultravox cemented their position as a New Romantic phenomenon with their follow-up, 1981's Rage in Eden. The martial beats and political undertones of "The Thin Wall" single acted as a potent taster for the album, to be joined in the U.K. Top 20 by the even more powerful message of "The Voice." The latter song opened the album, but nothing that followed equaled its strength, its sequencing a flaw in an otherwise excellent set. That said, propulsive numbers like "We Stand Alone" and "I Remember (Death in the Afternoon)," the rebellious angst of "Accent on Youth," the exotic strains of "Stranger Within," and the haunting "Your Name Has Slipped My Mind Again" all contained their own power. And even if the instrumental "The Ascent" harkened back to "Vienna," it was obvious that with Eden, Ultravox was climbing to grand new heights.