Red+hot+chili+peppers

Losing John Frusciante for a second time doesn’t send the Red Hot Chili Peppers into a tailspin. By now, the Chili Peppers shed guitarists like a second skin, changing their outer layer but retaining their inner core. Such is the case with I’m with You, the band’s first album since 2006’s Stadium Arcadium. If that double-disc was defined by its unwieldy sprawl, its songs spewed not sequenced, I’m with You is characterized by its focus, both within individual tunes and the songs as a whole…

The Red Hot Chili Peppers' eighth studio album finds the California foursome exploring the more melodic freeways of harmony and texture, contrasting the gritty, funky side streets of their early days. Luckily, with this more sophisticated sound, the Peppers have not sacrificed any of their trademark energy or passions for life, universal love, and (of course) lust. Although they recorded the spiky Abbey Road EP in 1988, this album actually sounds a lot closer to the Beatles' Abbey Road, with a little of Pet Sounds and elements of Phil Spector's lushest arrangements all distilled through the band's well-traveled funk-pop stylings…

Red Hot Chili Peppers - Mother's Milk (2003 EMI Remaster)
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Catalog No.: 72435-40378-2-5 | Release Date: 2003 | Label: EMI
Genre: Rock

Mother's Milk is the fourth studio album by American alternative rock band Red Hot Chili Peppers, released on August 29, 1989 on EMI. After the death of guitarist Hillel Slovak and subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante significantly altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as excessive overdubbing, and as a result Beinhorn and Frusciante constantly fought over the album's guitar sound.

The record was a greater commercial success than the Chili Peppers' past three studio albums combined. Mother's Milk peaked at number 52 on the Billboard 200 and received widespread recognition for singles "Knock Me Down" and the Stevie Wonder cover "Higher Ground". The album became their first gold record in early 1990, and was the first step for the band in achieving international success. Although the record was not met with the same positive critical reception that its predecessor The Uplift Mofo Party Plan (1987) had garnered, Mother's Milk, according to Amy Hanson of Allmusic, "turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort".