Red Dawn Poledouris

Second album from American trio Dawn Chorus and the Infallible Sea, consisting of zakè, Marc Ertel and Damien Duque. Together they're creating soft-textured and slowly unfolding sonic landscapes, somewhere between guitar-oriented drone music and modern classical. Liberamente is the kind of album that demands attention and patience from the listener, yet it's ultimately a very rewarding one.

A fantastic album as a leader from Sonny Red - a saxophonist who never got much chance to record under his own name, but always gave us something special when he did! Sonny recorded famously with Donald Byrd and Curtis Fuller in the 60s - but here, he's in an even hipper 70s mode of his own - a bit modal, a bit spiritual - in ways that make the whole album feel like some of the best 70s efforts on the Black Jazz label, with a righteous quality we might never have expected in Red a decade before! Sonny blows tenor, alto, and flute - all of them with a sharp, soulful edge - and he works here in a fantastic quartet that includes Cedar Walton on piano, whose own shadings give the record a lot of depth - plus the great Billy Higgins on drums, and Herbie Lewis on bass.

A pretty straightforward live concert from funk-punk-rap-rockers the Chili Peppers includes favourites Suck my Kiss, Give it Away and Blood Sugar Sex Magic, as well as covers of Subterranean Homesick Blues and Fire…

While Red Priest may sound like the name of a heavy-metal band, it is, in fact, a British Baroque ensemble of four talented classical musicians, folks who take a good deal of pleasure playing period music on period instruments in their own uniquely flashy yet dazzling way. On the present recording the members are Piers Adams, recorder; Julia Bishop, violin; Angela East, cello; and David Wright, harpsichord. As a measure of their typically irreverent, tongue-in-cheek style, the group, which formed in 1997, took their name from the Italian composer Antonio Vivaldi, nicknamed "The Red Priest" because he was a priest with red hair. The fact that the name should also remind listeners of Judas Priest is part of the fun.

A brilliant and affectingly different collection of transcriptions of favourite Bach movements, at times uniquely exhilarating, at others showing Bach at his most expressively touching… Adams's recorder playing is musically dazzling…but the other players complete an ensemble which is delightfully fresh and alive.