Josh White's signing to Elektra Records in 1955 was the beginning of a third career phase for the South Carolina-born folk-blues singer and a big break for the label. At age 14 Josh recorded with the blind gospel singer Joe Taggart, which led to a contract with the American Record Corporation (later Columbia). In the mid-1930s, following a hand injury that left him unable to play guitar for several years, White appeared on Broadway and found success as a cabaret performer. During this time he emerged as a protest singer and released his biggest-selling record, "One Meat Ball," one of the defining hits of the post war, early folk revival. Then his career was nearly destroyed by the McCarthy hearings of the early 1950s.
Josh White had a long and varied career, beginning as a session guitarist in the 1920s, then had his own run of stellar blues 78s for Paramount and Columbia in the 1930s, becoming a cabaret bluesman in New York in the 1940s, only to be blacklisted as the McCarthy era dawned, which led to his association with Jac Holzman's fledgling Elektra label in 1955. White recorded seven well-conceived LPs for Holzman between 1955 and 1962, and they restarted his career once again….
From the mid-fifties to his death in the early nineties, Miles Davis was universally recognised as one of the most innovative musicians working in Jazz. He was also one of the most popular with his albums regularly breaking into the pop charts and he picked up a total of eight Grammy Awards. He also launched the careers of many jazz musicians including Herbie Hancock, Wayne Shorter, Chick Corea, Billy Cobham, John McLaughlin and many more. This concert, filmed in Munich in 1987, followed the release of his Grammy Award winning album Tutu and the set list features two tracks from that record, the title track and “Portia”, plus his unique arrangements of Michael Jackson’s “Human Nature” and Cyndi Lauper’s “Time After Time”.