The release of King Crimson’s seminal 1974 album Red continues the overhaul of the progressive rock band’s catalog that also — so far anyway — includes their debut album In The Court Of The Crimson King and Lizard. As was the case with those two albums, the remastering of this album was overseen by Porcupine Tree’s Steven Wilson, along with founding member Robert Fripp. Wilson was a great choice for this task for a couple of reasons. He’s a longtime fan, and with Porcupine Tree and his other many projects, he also definitely has the necessary prog-rock credentials.
One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who “invented” the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles…
One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who “invented” the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles…
The 19-disc limited edition box set 'On (and Off) The Road' presents a complete overview of the enduringly popular 1980's incarnation of King Crimson…
20 CDs of live material from the final USA & Canadian 1974 tours, 1 CD of studio material featuring a new stereo mix of “Red”…
A 16 disc limited edition box set featuring studio and live recordings - many previously unreleased - from King Crimson's mid-1990s double trio line-up…
The Abbreviated King Crimson: Heartbeat (1991). For an affordable and short (really short - 23 minutes) introduction to the wonders of King Crimson, The Abbreviated King Crimson: Heartbeat will do the trick. The EP was released to coincide with the appearance of the mammoth box set The Essential King Crimson: Frame By Frame back in late 1991. Split almost 50-50 between early Crimson and the later '80s version of the group, many classic tracks are left off (nothing off the fan favorite Red is present), so it's certainly not a definitive King Crimson anthology. Still, the band's attention to detail and perfection are nearly unparalleled, as evidenced by Adrian Belew's Police-sounding guitar gracing the ballad "Matte Kudesai," and Tony Levin's bass showcase "Elephant Talk"…
DGM has long promised to bring the King Crimson Collectors' Club to 50 discs and we are pleased to announce a combined Club 49/50 to complete this special series. This CD/DVD set is packaged in a jewel case with much not-to be-missed material, including recently discovered live footage. The CD/DVD package features the complete final two shows played on July 11, 1984, partly used for the Absent Lovers release. The CD contains entirely unreleased tracks. The DVD contains both shows in full, as well as two sections of footage filmed by legendary bassist and stick player Tony Levin in 1982. The first footage shows approximately 25 minutes taken from the stage at the Place De Nations Montreal on 5th August 1982 (Please note that the footage is grainy.) The second portion of footage (some grainy, most is much clearer in resolution) is a real gem from shows at The Pier in New York and in Asbury Park, NJ, with backstage footage, narrated by Tony himself, showcasing backstage antics of the band as well as sound check and some cheeky footage of the cars being packed and artists preparing to leave the next day. The second footage runs just over 19 minutes.
This set compiles what Robert Fripp contends is "a comprehensive overview for new ears of all that is necessary in the Crimson corpus." Going on to acknowledge that "old-generation completists might disagree with some choices, but material not included here is available for new-generation completists, should they wish." Enthusiasts' personal preferences aside, The 21st Century Guide to King Crimson, Vol. 1: 1969-1974 (2004) is the first of two four-disc volumes gathering the entire recorded output of the band in its variety of personnel. Each CD contains highlights from a specific era, either in the studio or live, and the material is presented in chronological order.