Regarding The Soul

Recorded as a tribute to Jones, and featuring re-interpretations of songs associated with him, it is Jones' first original album since 1995's Q's Jook Joint. Jones serves as executive producer. Regarding the forthcoming album Jones stated, "Each artist picked a song that resonated with them for different reasons. I am honored that everyone wanted to be a part of this celebration of these songs. They all made them their own and knocked them out of the park."

The 3-DVD boxed set I Got the Feelin' - James Brown in the '60s would be more accurately titled as James Brown in 1968. Its programs are mainly centered around Brown's activities following the death of Dr. Martin Luther King, with particular focus given to the legendary concert the Godfather of Soul performed in Boston the day after the civil rights leader's assassination, and the bulk of the performance footage on the concert discs come from that specific year.

Aeternus returns after 7 years of silence with a killer sequel to “HeXaeon” from 2006. There have been some changes since then, both musically and regarding the lineup. This time Ares have brought in two new musicians with a background from bands such as Gravdal, Malsain and Tortorum. The band seems to have gone a bit more back to their roots with this release, since there’s more dark metal and not as much death metal as before.

Typically, rock bio programs for radio are little more than aural versions of Teen Beat, rarely delving beyond the surface appeal of a given artist. Los Angeles-based DJ Jim Ladd's aptly titled Inner View was the first nationally syndicated music and interview program to raise the intelligence bar several notches. Ladd's No One Here Gets Out Alive – originally broadcast on North American radio stations during the late summer of 1979 – is an audio biography of the Doors as told by those who lived it…

…Regarding the Choir members chant itself, it is the firm intonational basis and rhythmical orientation and above all the lack of excessive vibrato on the one hand, as well as the mannerism–either concert or opera-like–on the other, that highly distinguish it. Thus the supreme qualities of their performing are to be seen in their own, unique, and cultivated style.