Reincken

75 CD box set (with original jackets) is the first complete collection comprising all of Reinhard Goebel's recordings on Archiv Produktion. It shows Reinhard Goebel as a violinist, conductor, music scholar, and founder of his celebrated ensemble Musica Antiqua Koln. Featuring almost 30 years of recording history from the Neapolitan Recorder Concertos from 1978 to Telemann's Flute Quartets recorded in 2005.

In this extensive 50-disc set, Brilliant Classics presents 500 years of organ music. The pieces presented here offer a survey of diversity, value, and historical importance. The first portion of the set is devoted to pieces from the early period. Groundbreaking organ composers such as Cavazzoni and De Macque, who developed the capriccio and canzon forms and composed complex counterparts to the periods vocal music, are featured here. The Baroque and Classical eras are represented in this set by the likes of powerhouse composers Mozart, J.S. Bach, C.P.E. Bach, Handel, Telemann, and Haydn.

With CPO's volume 15, their comprehensive project featuring organ works of the Northern German Baroque is now complete. On the laste release, Friedhelm Flamme dedicates himself to the complete free organ works, that is, to the complete fugues and preludes, of Heinrich Scheidemann, a composer regarded as one of the co-founders of the Northern German organ school. Some of Scheidemann's chorale settings are also presented. Johann Adam Reincken succeeded Scheidemann as the organist at St. Catherine's Church in Hamburg after his mentor's death and is regarded as his most important pupil.

To celebrate Ricercar’s fortieth anniversary, with the symbolic total running time of forty hours of music, this box set assembles a vast anthology of seventeenth-century German music, an area that clearly emerges here as the label’s main focus. The anthology ends with a selection of the very first compositions of Johann Sebastian Bach, in which the link with the music of previous generations is still very perceptible. Some of the finest artists and ensembles ever featured on the label are included here, such as Andrea Buccarella, Brice Sailly, Yoanna Moulin, Capella Sancti Michaelis, Ex Tempore, Musica Aurea, and many more.

For this first recording, Andrea Buccarella explores the history of the most emblematic form of Baroque music, from its appearance in Italy at the end of the sixteenth century right up to its apotheosis in Johann Sebastian Bach: the toccata. With its inventiveness, its formal freedom, its contrasting effects of virtuosity and emotion, the Italian toccata – whose name probably comes from the verb toccare (to touch/play) – opened the way for the stylus fantasticus that was to dominate Germany in the late seventeenth century.

The complete organ works by Walther! Johann Gottfried Walther (1684-1748, a near contemporary of Bach) spent the major part of his life as the organist of the Church of St. Peter and Paul in Weimar, where he also was teacher of the Duke of Weimar. He formed a close friendship with Johann Sebastian Bach, of whom he was a second cousin. Walthers organ music may be divided into a large corpus of Chorale settings, in which he followed the tradition of Bach, and the transcriptions of fashionable concertos by composers like Telemann, Albinoni, Torelli, Vivaldi, Gentili and many others.

During his lifetime, Johann Pachelbel (1653–1706) was best known as an organ composer. He wrote more than two hundred pieces for the instrument, both liturgical and secular, and explored most of the genres that existed at the time. He is considered to be the apex of the 17th century’s south German organ school and generally one of the most important composers of the middle Baroque.

In this second instalment of complete keyboard works, Benjamin Alard demonstrates with splendid eloquence how invaluable the young Bach’s north German experience proved to be; his attentive examination of the works of the great organ masters and his craving for all kinds of music significantly broadened the stylistic foundations of his keyboard writing. The wide range of works presented here, complemented by pieces by Buxtehude, Reinken and Pachelbel, illustrates in exemplary fashion the power of a master in the making.