Renaissance

The Renaissance Players & Winsome Evans - The Sephardic Experience (1999) {4CD Box Set Celestial Harmonies 19911-2}
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© 1999 Celestial Harmonies | 19911-2
Classical / Medieval / Early Music

The Sephardic Experience quadrilogy is a priceless sound document in which the Renaissance Players present their own performance versions of well– and lesser–known romansas (ballads), kantigas (religious songs) and muwashshahat (poetical forms) which have survived for centuries entirely via oral/aural transmission by parents, grandparents, friends and acquaintances within the family circle, while working, or as a form of ad hoc entertainment in Sephardic communities of the West and East. Sadly, as the end of the 20th century draws near we are witnessing the alarming disappearance of Spanish–Jewish culture due to vast, worldwide changes in social circumstances. In fact, these songs are no longer a part of the rich, musical fabric of the everyday life of the Sephardim.

When you think of the Italian Renaissance, chances are you think of what it gave us. The extraordinary sculptures of Michelangelo. The incomparable paintings of Leonardo da Vinci. The immortal written works of Petrarch and Machiavelli. But have you ever wondered why there was such an artistic, cultural and intellectual explosion in Italy at the start of the 14th century?

Vihuela Music Of The Spanish Renaissance - Christopher Wilson (1990) {Virgin Classics}
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© 1990 Virgin Classics | 0777 7595962 8
Classical / Renaissance

The vihuela is not a viol, it is a sort of lute. Vihuela and lute coexisted in Spain but the composers wrote only for the former. The works played in this recording were mainly published between 1535 and 1554; Daza's book (1576) and a collection of other authors (1593) mark the end of the era of the vihuela. Then the instrument lent its shape to the guitar, as you can infer from the cover of the CD.

TTC Video Kenneth R.Bartlett Italian Renaissance

When you think of the Italian Renaissance, chances are you think of what it gave us. The extraordinary sculptures of Michelangelo. The incomparable paintings of Leonardo da Vinci. The immortal written works of Petrarch and Machiavelli.
But have you ever wondered why there was such an artistic, cultural and intellectual explosion in Italy at the start of the 14th century?
Why did it occur in Italy and not another part of Europe, and why did it happen in certain Italian city-states, such as Florence?
Why did it ultimately fail in the middle of the 16th century?

Tot ver in de achttiende eeuw was de luit hét instrument van de Europese adel. De beste renaissance- en barokcomponisten schreven talloze werken voor het instrument. Een van de beste luitisten van dit moment, Christopher Wilson, maakte een prachtige keuze uit het enorme luitrepertoire uit de Franse renaissance. Verfijnd, rustgevend en sfeervol.