A two-disc compilation that's as good a starting point for the newcomer as any, RSW 1987-1995 makes a great case for Renegade Soundwave as the great lost English band of the late '80s and early '90s. Divided up between a vocal and instrumental (mostly) half, each disc is more or less chronological and succeeds on its own, and together they're nearly unstoppable. Curious to say, but compared to, say, a fair amount of the Brit-pop hype that burst the year the compilation finishes up, Renegade Soundwave were at once very specifically English – Gary Asquith's declamatory speak-sing-MC work never hid its accent for a start – and very modern as well. Hip-hop and dub were turned into massive industrial beats and stomps like few others could attempt ("Kray Twins" alone easily rivals and possibly betters a fair amount of mid-'80s Def Jam explosions), avoiding the forced modernism of the likes of the Age of Chance for something more cutting and fierce.
Swedish metallers Hammerfall with reissue their landmark album “Renegade” with a brand new remix from legendary producer Fredrik Nordström…
When an album boasts Robben Ford on lead vocals and guitar and Jimmy Haslip on electric bass, one tends to assume that there will be some type of jazz influence. Haslip, after all, was a founding member of the Yellowjackets back in 1981 and was still with the group 29 years later in early 2010, while the eclectic Ford has a long history of excelling as both a blues-rocker and a jazzman. It turns out that jazz is, in fact, an influence on parts of Renegade Creation, which unites Haslip and Ford with Michael Landau (lead vocals, guitar) and Gary Novak (drums). Jazz isn't a huge influence on this 2010 release, but it is an influence.
Phenomenal first solo studio disc by this amazing gifted guitarist/vocalist from Denmark who is best known as the prolific leader/founder of the awesome power trio: Blindstone. Includes 10 tracks of outstanding, world-class, powerful, killer, retro-sonic, blues-based, total heavy guitar excellence that lands down hard with exceptional musical brilliance. Martin J. Andersen has arrived & landed rock solid to the core as a solo artist and has achieved true guitar rock greatness on the aptly titled, amazing beyond belief Six String Renegade disc. From start to finish, Andersen kicks our asses hard with his brain-damaging brand of high-voltage, electrified, guitar rock riffage/mojo. An excellent mix of vocal + instrumental tracks, the Six String Renegade disc finds the axemaster exploring his Blindstone + deep hard rock musical roots which always land with an ever-loving, vintage, blues-based, guitar rock vibe.
For over a decade, the Bang on a Can All-Stars have been internationally known for their radically and accessibly energetic approach to modern music-making. Whether reinterpreting works by well-known figures such as Brian Eno's Music for Airports or Terry Riley's In C, or commissioning new works from avant composers such as Arnold Dreyblatt or Toby Twining, they perform with a comprehensive depth that makes these works their own.
Renegade is the eleventh studio album by Irish band Thin Lizzy, released in 1981. Though not his first appearance, this was the first album in which keyboard player Darren Wharton was credited as a permanent member, becoming the fifth member of the line-up. Renegade was the second and final album to feature guitarist Snowy White. By his own admission, White was more suited to playing blues than heavy rock and he quit by mutual agreement the following year. Greg Prato of AllMusic claimed that Renegade is Thin Lizzy's worst album, with "blatant pop leanings and a production too similar to British heavy metal bands of the early '80s", blaming Snowy White's incompatibility with the group, Lynott's "flat vocals" and the band's drug problems. Prato named "The Pressure Will Blow", "Leave This Town" and "Hollywood (Down on Your Luck)" as the album's better songs.