Return II Space

"The space of indolentiae ars," Evan Johnson advises the performer, "is the air directly in front of the performer's body; it is not a space shared with the audience." It is at once an intimate and personal space, a space unknowable to a listener, except through the act of recording. 'indolentiae ars' communicates this space to the listener, and in so doing showcases Evan Johnson's mastery of musical density, sparsity, and fragility.

Delerium - совместный проект двух канадцев, Риса Фалбера (Rhys Fulber) и Билла Либа (Bill Leeb). Кстати, нужно отметить, что это лишь одно из детищ чрезвычайно плодовитого дуэта (в ряду других созданий этих авторов наибольшую известность получили Front Line Assembly и сольный проект Фалбера Conjure One).

The concept lying behind pianist Elisabeth Leonskaja’s new recording entitled “Saudade” stems from no set of musicological ideas; nor does it have any programmatic basis.

Five CD box set containing a quintet of original albums in card LP replica sleeves! Features "Pretenders" (1980); "Pretenders II" (1981); "Learning To Crawl" (1984); "Get Close" (1986) and "Last Of The Independents" (1994).

Without doubt, the recordings of Tangerine Dream have made the greatest impact on the widest variety of instrumental music during the 1980s and '90s, ranging from the most atmospheric new age and space music to the harshest abrasions of electronic dance. Founded in 1967 by Edgar Froese in Berlin, the group has progressed through a full three dozen lineups (Froese being the only continuous member with staying power) and four distinct stages of development: the experimentalist minimalism of the late '60s and early '70s; stark sequencer trance during the mid- to late '70s, the group's most influential period; an organic form of instrumental music on their frequent film and studio work during the 1980s; and, finally, a more propulsive dance style, which showed Tangerine Dream with a sound quite similar to their electronic inheritors in the field of dance music.

"A selection of rare, classic and collectable Funk, Latin, Disco and Jazz that filled the floor of this legendary Soho nightspot, defined a generation and influenced the world." "The Wag is the dog's bow-wow. Back in the 80's when I toured the UK I was introduced to the Wag and it became my fave hang. The joint had style and substance." - David Bowie "I brought my new wife Patty to London to see the sights. Number one was The Houses of Parliament, number two was Westminster Cathedral and number three was the Wag Club." - Keith Richards "I love The Wag. Why aren't there more clubs like it? Always cutting edge." - Joe Strummer For the first time ever, the musical legacy of feted London nightclub and 'haven for misfits' The Wag is explored over 4 discs with a selection of remastered rare, classic and collectible funk, Latin, disco, hip hop and jazz that filled the floor. Released on via Harmless records and curated by Chris Sullivan - a musician, journalist and most importantly, the Wag's founder, director, promoter, designer and booker for its entire run of 18 years. Music explored on this box set covers a period from the Wag's inception in 1983 to 1987, and although the club was an integral early proponent in the acid house explosion and continued to support electronic music until its close in 2001. Featuring sleeve notes from Chris Sullivan, this is a must have set for fans of the scene.