Return Running Blue

A well-rounded exploration of every shade of blues Ford does so well: Chicago-style ("When I Leave Here"), jump blues ("The Miller's Son"), jazz-blues balladry ("Don't Let Me Be Misunderstood"), and Texas shuffle ("Tired of Talkin'"). Ford's buttery lines and burnished tone (and his boyish voice) are captured in all their glory by producer Danny Kortchmar. Solidly anchored by bassist Roscoe Beck and drummer Tom Brechtlein, Ford solos liberally, taking the fast funk of "Think Twice" over the top with a burning series of rapid-fire runs and well-tooled turnarounds. Slowing down for a languid version of Willie Dixon's "I Just Want to Make Love to You," Ford plays it raw and soulful, recalling B.B. King. He then turns up the pace on "Strong Will to Live," closing out the album with a signature solo full of fire and drama.

Ray Russell has had quite the glittering career. Setting off at age 15 with the John Berry Seven, the guitarist went on to play with the Graham Bond Organisation and then Georgie Fame & the Blue Flames. Eventually, Russell would lend his talents on-stage and/or in the studio to a plethora of performers, from Tina Turner to Lulu, the Bee Gees to Phil Collins, and branching out in the '70s to compose for the small screen. Amidst this busy career, Russell also put together the odd band, like the Running Man, whose sole, eponymous album was released with little fanfare in 1972. The core trio of Russell on both guitar and bass, vocalist/organist Alan Greed, and vocalist/drummer Alan Rushton was supplemented by Harry Beckett on trumpet and flügelhorn and the late Gary Windo on tenor sax.

After the resounding success of their 50th Anniversary celebration, BLUE ÖYSTER CULT is eagerly gearing up for an exciting new chapter in their storied career with the upcoming release of "Ghost Stories." This highly anticipated album marks a fitting finale to the recording legacy of one of Rock’s iconic musical attractions over the past 50 years.

Buffy Sainte-Marie has always been a good deal more versatile as a musician than most people realize, roaming through folk, blues, country, pop, and even pioneering electronica on her various albums, always using her Cree ancestry as an anchor, and very few singers have dealt with cultural polemics as intelligently as she has. Perhaps because of her restless drive to try new forms, Sainte-Marie's albums are often woefully (but endearingly) erratic and inconsistent, but each contains hidden gems, and while her eerie, vibrato-laden singing style can sound affected at times, her drive to constantly pull her agenda into new musical territories is inspiring. Running for the Drum is her first new album in 17 years, and while it probably won't change anyone's attitudes about her work, it wonderfully spotlights all of the musical themes, forms, and concerns she's pursued in the past four decades. The album opens with a pair of Native American rockers, "No No Keshagesh" and "Cho Cho Fire," that draw on Native American drum rhythms, and both are fiery and invigorating. She revisits one of her finest early songs, the beautiful and haunting "Little Wheel Spin and Spin."

Out of the Blue finds Mike + The Mechanics – which, in 2019, claims Mike Rutherford as its only original member – revisiting their catalog with the assistance of their 2010s vocalists Andrew Roachford and Tim Howar. The party line behind Out of the Blue is that the group discovered new ways of playing old songs while on tour supporting 2017's Let Me Fly, so they decided to head into the studio to document these versions…

Formed in 1985 by the bassist and one of the founding members of Genesis, Mike Rutherford, Mike + The Mechanics have gone on to enjoy success the world-over. The mechanics are best known for their hit singles "Silent Running (On Dangerous Ground)", "All I Need Is a Miracle", "Taken In", "Over My Shoulder", and "The Living Years". The Masters Collection delivers an introduction to the bands body of work spanning an illustrious 30 years, and includes tracks from their top 10 2017 album ‘Let Me Fly’.

This box set compilation of some of the archival albums of live material Todd Rundgren took to releasing in the late '90s contains six CDs and runs more than five and three-quarters hours. Its four shows, Live in N.Y.C. '78, A Cappella Tour, Live in Chicago '91, and Another Side of Roxy, trace Rundgren's concert performances over a period of 13 years…