To simplify my life considerably, I'm going to combine the "reviews" of all six Stage releases into a single entry, even though they were released individually. Also, to save a lot of time and effort, I'm not going to give complete track listings of the twelve discs, or do song-by-song reviews (hey, we're talking over 800 minutes of music here, give me a break). If you need to know the track listings, they're probably available through an on-line music sales site like CDNow, or an information site like the All Music Guide. There's probably a few other Zappa sites that list them as well. Maybe one day when I have the time, I'll come back and expand this section to really cover all twelve discs in detail. Until then, I'll just give some general facts and opinions, focusing on highlights and material unique to the Stage series.
A riddle wrapped in an enigma dressed up in leather and studs, Germany's Mekong Delta perplexed the heavy metal world both by playing an unconventional brand of progressive thrash and by keeping the identities of the bandmembers secret for the first five years of a career starting in 1987…
Drawn largely from Vince Gill's first three albums for MCA Records, 1989's When I Call Your Name, 1991's Pocket Full of Gold, and 1992's I Still Believe in You, Souvenirs functions as a greatest-hits collection from what is arguably Gill's finest period as a solo artist. Gill's smooth tenor singing is practically the definition of modern slow-burning country sincerity, all done with a touch of that bluegrass "high lonesome" sound, and his ease with ballads frequently obscures the fact that he is one hell of a guitar player when he decides to be. Highlights on this easy to like set are duets with Reba McEntire ("The Heart Won't Lie") and Dolly Parton ("I Will Always Love You"), an interesting cover of the Eagles' "I Can't Tell You Why," and the infectious and upbeat "Liza Jane," which lets Gill rock things out a little. Souvenirs isn't the last word on Vince Gill, who continues to record and release quality contemporary country and bluegrass albums, but there isn't a better single-disc introduction to the commercial side of his output than this one.