This legendary Bayreuth Festival production of Wagner’s 'Der Ring des Nibelungen', directed by Harry Kupfer, with designs by Hans Schavernoch, and conducted by Daniel Barenboim, is considered perhaps the finest video recording of these four operas ever made. For their innovative modernist staging, Kupfer and his team turned away from the work’s time of origin and located The Ring at a “road of history”, a meeting-place of past, present and future, which sets the scene for the story’s struggles of power and love. Barenboim’s authoritative yet highly responsive reading of the immense score and the extraordinary performances of the cast help to make this a truly memorable Ring.
"…Janowski's pacing and preparation of the orchestra is masterly. Reacting with sensitivity to the score, the tender & reflective scenes are given space to breathe without taxing the singers into strained tone. (…) The more one hears, the more one appreciates the vocal acting as well as the superlative orchestral contribution (make no mistake, there are at least 3 world class orchestras resident in Berlin today). This listener (at least) is eagerly awaiting the next installment of the Ring." ~sa-cd.net
La Fura dels Baus, famous for their opening ceremony of the Olympic games in Barcelona and opera stagings in Salzburg, Ruhrtriennale, etc., use in Rheingold 3D computer projections that evoke computer games, organic structures built of athletic performers that recall the "Cirque du soleil". From Palau de les Arts Reina Sofia, Valencia, 2007.
Incl. world-class Wagner singers such as Salminen, Kapellmann, Mayer and promising young talents that include John Daszak (Loge) and Juha Uusitalo (Wotan), whom the Frankfurter Allgemeine Zeitung hailed as a new "Number One among the opera gods."
"…Janowski's pacing and preparation of the orchestra is masterly. Reacting with sensitivity to the score, the tender & reflective scenes are given space to breathe without taxing the singers into strained tone. (…) The more one hears, the more one appreciates the vocal acting as well as the superlative orchestral contribution (make no mistake, there are at least 3 world class orchestras resident in Berlin today). This listener (at least) is eagerly awaiting the next installment of the Ring." ~sa-cd.net
The most famous, the most performed, the most thrilling, and the most recorded opera cycle in music history. Filmed at the world-famous Metropolitan Opera House in New York, in high definition – the award winning Robert Lepage production. Featuring Bryn Terfel as Wotan – universally recognized as the finest bass-baritone – and Wotan – of his generation. Also starring Deborah Voigt as Brunnhilde, and star tenor Jonas Kaufmann as Siegmund.
It takes a certain amount of forethought if Das Rheingold is to be more than a series of special effects scenes, though moments like the appearance of the giants through the mist or Alberich's transformations need to be as thrilling as they are here. As always in his Wagner, and perhaps especially in this very traditional 1990 Metropolitan Opera production of the Ring cycle, James Levine keeps to the forefront the underlying humanity of Wagner's gods and monsters. In the first scene, for example, he brings out the thoughtless, callous frivolity of the Rhine maidens as they precipitate the events of the four operas by taunting the gnome Alberich: it helps that they swirl around, green and gold, in a convincing representation of the bottom of the Rhine, but the emotions are the point. Ekkehaard Wlaschiha is a convincingly menacing Alberich partly because Levine brings out his vulnerability as well as his evil temper. James Morris is splendid as the younger less care-worn Wotan and Siegfried Jerusalem as Loge enjoys the sarcasm of his cynical commentary on Wotan's aspirations. The smaller parts have luxury casting: Matti Salminen as Fafner and Christa Ludwig as Fricka, for example.(Roz Kaveney)