Rhino! (1964)

This reissue combines two of Simone's Colpix albums, Folksy Nina (1964) and Nina with Strings (1966), onto a single CD. Though it was taken from the same performance as 1963's Nina Simone at Carnegie Hall, Folksy Nina duplicates little of the material found on that prior album. It isn't just unworthy leftovers, but a strong set in its own right, concentrating on material that could be seen as traditional or folk in orientation. It's not exactly strictly folk music, in repertoire or arrangement. However, there was an uptempo piano blues (Leadbelly's "Silver City Bound") and covers of the Israeli "Erets Zavat Chalav" and "Vanetihu" which served as further proof that Simone's eclecticism knew no bounds. There are also the kind of stark, moody, spiritually shaded ballads at which she excelled, like "When I Was a Young Girl," "Hush Little Baby," and "Lass of the Low Country," the last of which is as exquisitely sad-yet-beautiful as it gets…

It's a surprise this session is so obscure, since it features Herbie Mann with the Bill Evans Trio - making its first recordings following the sudden death of bassist Scott LaFaro just a short time after the trio's landmark gig at the Village Vanguard. Mann, who has changed his style numerous times throughout his long career, is heard exclusively in a straight-ahead and bop context on this pair of studio dates. Evans, who studied flute through his college years, rarely recorded with a flutist (Jeremy Steig joined him on a later record for Verve), though he was fond of the instrument; the capable Chuck Israels on bass and drummer Paul Motian round out the trio. The low-key "Willow Weep for Me" and impressionist composer Erik Satie's Gymnopedie bring out the lyricism of Mann's playing, though the trio's backing is very understated…

Five CD box set containing a quintet of original albums from the Folk/Pop vocalist: Fifth Album, In My Life, Judith, Who Knows Where The Time Goes and Wildflowers.

Nuggets, Lenny Kaye's original 1972 compilation of garage and psych, loomed large in the record collectors consciousness, canonizing a portion of rock that was originally laughed off while setting the standard for reissues. Rhino's 1998 box set of the same name expanded the scope of that record, replicating most of the original while gloriously spilling forth over three additional discs – and, in doing so, it spurred a minor revolution, becoming one of the most talked-about reissues of the last half of the '90s…

John Coltrane - The Atlantic Years - In Mono (2016) {6CD Box Set Atlantic-Rhino 0081227946418}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 900 Mb | MP3 @320 -> 547 Mb
Full Artwork @ 600 dpi (jpg) -> 260 Mb | 5% repair rar
© 2016 Atlantic / Rhino / Warner | 0081227946418
Jazz / Hard Bop / Modal Music / Post-Bop / Avant-Garde Jazz / Saxophone

The superb 2016 six-disc John Coltrane box set The Atlantic Years: In Mono brings together most of the legendary jazz musician's Atlantic albums into one package, restored to their original mono sound. Beginning in 1959, Coltrane's Atlantic years were a transformative time for the saxophonist, during which he furthered his modal explorations and began incorporating aspects of the avant-garde, a vital combination that he would later bring to its pinnacle on his 1965 Impulse! classic, A Love Supreme. Included here are the landmark albums Giant Steps (1960), Bags & Trane (1959) with vibraphonist Milt Jackson, Olé Coltrane (1961) featuring trumpeter Freddie Hubbard, Plays the Blues (1960), and Coltrane's collaboration with maverick pocket trumpeter Don Cherry, The Avant-Garde (1966). Also included is a 32-page book featuring photos by Lee Friedlander and liner notes by writer Ashley Kahn.

The Modern Jazz Quartet - Plays George Gershwin's Porgy & Bess (1966) {Atlantic Jazz Masters–Rhino 8122-75445-2 rel 2004}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (jpg) -> 225 Mb | 5% repair rar
© 1964-65, 2004 Atlantic / Rhino / Warner | 8122-75445-2
Jazz / Cool / Bop / Third Stream

The Modern Jazz Quartet, a group legendary for it's feats during their heyday in the cool bop period of jazz music, shares with the listener a brilliant effort encompassing their impression of composer George Gershwin's "Porgy and Bess." Acclaimed by Encyclopedia Britannica as "the greatest American musical drama ever written," The Modern Jazz Quartet perform it at the highest level of creative flair to pay homage to a marvel of composition with the utmost degree of sincerity and respect. This is a piece that Gershwin took a full 11 months to compose and nine months to orchestrate, all based on the initial inspiration from a drama written by playwright Dorothy Heyward. Opening up the score is Gershwin's dazzling and seductive tune "Summertime," a landslide mark of musical brilliance.