It may be pure coincidence, but in 1626, it was two enlightened intellectuals from Seville artist Diego Velazquez and composer Francisco Correa de Arauxo, who stood out for their ability to portray a microcosm of human emotions in their work. The surviving body of Correas work, the Facultad organica, was published in 1626. For its time it remains a remarkably forward-looking collection. It is especially notable for the dissonant harmonies which Correa, as a cleric as well as a composer, aimed to evoke for his listeners the hardships facing them on their path towards a longed-for paradise.