Richard F. Hamilton

This disc in the Avison Ensemble’s project to record the complete Corelli chamber music is devoted to his Op. 5 collection of violin sonatas – works that swept Europe by storm when they were first published in 1700. Recent recordings include Accademia Bizantina, Purcell Quartet, Trio Corelli, Trio Sonnerie, and a particularly charismatic version from Andrew Manze with harpsichordist Richard Egarr. One of the most immediate differences between these versions is their approach to the continuo, the Avison Ensemble favouring the varied timbres and textures of an ensemble (variously harpsichord or organ, archlute, Baroque guitar and cello) rather than solo harpsichord.

The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.

Squeezebox frenzy on this collection that features the talents of the finest accordionists in the classical and jazz worlds - Peter and Mady Soave, Richard Galliano, Sebastiano Zorza and Denis Biasin. They perform a variety of settings: solo, duo with Nando de Luca on piano or Hamilton de Hollanda on mandolin, or as part of a quartet.

Squeezebox frenzy on this collection that features the talents of the finest accordionists in the classical and jazz worlds - Peter and Mady Soave, Richard Galliano, Sebastiano Zorza and Denis Biasin. They perform a variety of settings: solo, duo with Nando de Luca on piano or Hamilton de Hollanda on mandolin, or as part of a quartet.

Tal Farlow – The Complete Verve Tal Farlow Sessions (2004) {7CD Box Set Mosaic MD7-224 rec 1951-1959}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.69 Gb | MP3 @320 -> 1.04 Gb
Full Artwork @ 600 dpi (jpg) -> 209 Mb | 5% repair rar
© 1951-59, 2004 Mosaic Records / Verve / Universal | MD7-224
Jazz / Bop / Cool / Guitar

Tal Farlow, was an innovative self-taught jazz guitarist who influenced generations of guitarists following in his footsteps. Although some of his peak years as a recording artist occurred during his association with Verve between 1954 and 1959, relatively few of the tracks were available for decades until the release of this comprehensive Mosaic box set. The music is consistently brilliant, as the leader's solos seem to evolve effortlessly, often finding fresh ground in the many standards and classic jazz compositions performed in this set. Aside from the three opening tracks from Farlow's days as a member of vibraphonist Red Norvo's trio, the guitarist is the leader.

Haynes have been creating the ultimate manuals for the last fifty years and believe they know a thing or two about keeping your car running smoothly. Knowing just how important it is to have the best mix of music on the stereo to enhance the performance of your car, Haynes have worked with Sony to create in-car compilations to make driving just that little bit more enjoyable. This 3-CD compilations owns extra class, especially for those who get into this type of music for the first time. It's truly the ultimate guide to Northern Soul music! All 59 tracks are originbal recordings made between 1963-1979.

On 100 discs (99 CD & 1 DVD), this box presents the complete oeuvre of Trevor Pinnock and The English Concert on Archiv Produktion. Purcell, Vivaldi, Handel, Bach, Haydn and Mozart are the focus of the repertoire. Numerous recordings such as the Brandenburg Concertos, Corelli's Concerti Grossi or the symphonies of William Boyce are among the milestones of recording history. A Bach album from the ensemble's early days is released for the first time on CD, as well as the never-published Dead March from Handel's "Saul". A 184-page booklet with essays by Trevor Pinnock and Jonathan Freeman-Attwood, the director of the Royal Academy of Music, as well as numerous photos and documents complete the extensive portrait.