Richard Gotainer Perles et Bijoux ( re up New Link)

From the notes: Rosita Renard was born in Santiago, Chile, on February 8, 1894, the daughter of a building contractor; she showed extraordinary gifts as a child, and made her pianistic debut at the age of fourteen playing the Grieg Concerto with the Chilean Symphony Orchestra. A year later the government awarded her a scholarship to study in Berlin at the Stern Conservatory. Arriving there in 1910, Rosita was put in the master class of Martin Krause, a Liszt pupil today remembered as the teacher of Edwin Fischer, who was Renard's classmate and friend, and Claudio Arrau, her countryman, who was seven years Renard's junior. The two families were friendly and when it came time for the nine-year-old Arrau to audition fro Krause in 1912, it was Rosita Renard who actually took the young boy by the hand to the audition" Notes by Edward Blickstein

Arthur Lee - Vindicator (1972)
FLAC(Image) + CUE + LOG & MP3 CBR 320Kbps | EAC Rip | ~380 or 122 Mb | Scans(png) -> 382 Mb
Genre: Rock/Folk-Rock/Psychedelic Rock/Blues | Label: BGO Records | Cat# BGOCD783 | 17 Tracks

Love's 1967 masterpiece Forever Changes was an album so beautiful and timeless that it tends to dwarf everything else in the group's repertoire, and its gentle balance of grace and dread has made a lot of people forget just how hard Love could rock when Arthur Lee and his bandmates were of a mind…

"The Other Side of the Rainbow" is the twelfth album by singer Melba Moore, released in 1982. This was released on Capitol Records proper. It also featured her hit "Love's Comin' At Ya".

In the midst of his late-'70s hot streak, Teddy Pendergrass slowed down his groove somewhat for most of Teddy, his third excellent album in three years, and reprised the hushed tone and bedroom motifs that had made "Close the Door" such a success a year earlier.

In the wake of his ascension into the pop Top Ten with the ballad "If Ever You're in My Arms Again," Peabo Bryson might have been expected to try to consolidate that success with his follow-up record. And indeed, Take No Prisoners, produced by such crossover veterans as Arif Mardin and Tommy LiPuma and featuring such pop songwriters as Barry Mann, Cynthia Weil, and Tom Snow, may have seemed like a try for that.

From the return of Dan K. Brown – the bassist on all their classic efforts from Reach the Beach (1983) to Ink (1991) – to its George Underwood cover art (the painter whose work adorned Reach the Beach and Phantoms), Beautiful Friction is a return to form for the Fixx, the synth-pop-but-almost-prog-rock group who made socially aware angst fly up the charts in the '80s with "Red Skies," "One Thing Leads to Another," and "Saved by Zero." This reunion effort is without a surefire hit like those, and at first listen, it is a bit light on hooks, but lead single "Anyone Else" is strong enough to beckon any longtime fan's return, and the skeletal, funky workout called "Girl with No Ceiling" brings to mind the Phantoms era – kinetic in an "Are We Ourselves" style.