Die Festspielpremiere von ALCINA im Prinzregententheater am 17. Juli 2005 wurde wie so viele andere Premieren von Barock-Opern zu einem Höhepunkt der Münchner Opernsaison. Wer erinnert sich nicht gerne an die "Poppea", den "Rinaldo" oder natürlich "Giulio Cesare". Mit Anja Harteros und Vesselina Kasarova hatten sich zwei Topstars der internationalen Opernszene in dieser Inszenierung eingefunden. Unter der bewährten Leitung von Ivor Bolton wurde das ganze Ensemble vom Publikum bei jeder Vorstellung mit Ovationen gefeiert, der Nachhall in der Presse war nicht minder euphorisch!
Chrome, Smoke & BBQ is a box set by American blues-rock band ZZ Top, released in 2003. This box set is notable for using the original mixes for all of the tracks from the band's first five albums for the first time on the CD format. This box set, and the companion release Rancho Texicano, are the only two CD releases which feature original mixes from ZZ Top's First Album, Rio Grande Mud, and Tejas, aside from 1977's The Best of ZZ Top which features two tracks from Rio Grande Mud and one track from First Album. Tres Hombres and Fandango! were reissued in their original mixes in 2006.
A selection of twenty-nine emblematic tracks celebrates eight years of musical research and experimentation featuring Cuba’s musical avant-garde under the curation of Gilles Peterson with the backing of the Havana Cultura project. In 2008, DJ and globetrotter Gilles Peterson was approached by the melomaniac at the helm of Havana Cultura - an initiative to showcase and support Cuban creativity by Cuban rum maker Havana Club, - inviting him to Cuba to check out Havana's underground music scene with a view to making an album. While some might associate Cuba simply with salsa or Buena Vista Social Club, there was a new generation of artists teeming with new sounds, waiting for an opportunity to reveal their talent to the world…
The first album in Arhoolie's superb Tex-Mex series, this traces the roots of the modern norteño-Tejano-conjunto sound. We hear the early accordion players and duet singers, then see them come together in the 1930s and '40s, forming the heart of the style as it has existed ever since. All the key names are here, from the blind fiddler El Ciego Melquiades to the magnificent Texan diva Lydia Mendoza, accordion pioneers Santiago Jiménez and Narciso Martinez, and the trend-setting Alegres de Teran. A 36-page booklet puts the music in context and makes this an essential purchase for anyone interested in border music.