Rip The Angels From Heaven

While it wasn't unexpected given his advanced age and health, the death of gospel bluesman Leo "Bud" Welch in 2017 felt altogether too soon. The Delta bluesman from Sabougla, Mississippi had been performing for most of his life. He gigged in juke joints, opened for touring artists such as B.B. King, Howlin' Wolf, Elmore James, and John Lee Hooker, and played in church, but he didn't release an album until he was 81. 2014's Sabougla Voices was a "Sunday morning" gospel-blues album of songs he'd learned, written, or improvised on the spot. He followed it a year later with his "Saturday night sinner's record," I Don’t Prefer No Blues, and toured the globe. In 2018, he was the subject of the documentary film, Late Blossom Blues: The Journey of Leo "Bud" Welch. Welch cut The Angels in Heaven Done Signed My Name in Nashville with producer Dan Auerbach and his band the Arcs (that included the late Richard Swift), at his Easy Eye Sound label and studio in Nashville in 2015.

Henry Mancini really needs no introduction. His music is as much a part of the twentieth century as rock 'n' roll, the Lennon and McCartney partnership, jazz and the great American songbook. This Vocalion release compiles two albums from the later part of Mancini's more than twenty-year association with the RCA Victor label, and both show that he was more than able to 'get with it' in the funky 1970s. This is borne out in Mancini's Angels (1977), which, of course, is a paraphrase of 'Charlie's Angels', the massively popular US TV show that invited viewers into the glamorous world of a trio of beautiful female private detectives. In 1978 Henry Mancini and his orchestra were back in the studio to record The Theme Scene, another exploration of film and television music…

Bear Family, the venerable German label that does reissue boxes of U.S. artists better than any American label – with the possible exception of Mosaic – has taken the cream of Kitty Wells' career and issued one of the most historically important collections in the history of country music. The Queen of Country Music is a four-CD box, with exhaustive biographical and session notes by Charles Wolfe that document, in their entirety, nine years of Ms. Wells career, from its inception through to its turning point and superstardom, the years 1949 to 1958; there are 114 tracks in all. Along with every major hit and B-side from the eras, the set includes classic original versions of "It Wasn't God Who Made Honky Tonk Angels," "Hey Joe!," "I Hear the Jukebox Playing," "Lonely Side of Town," "Making Believe," "Dust on the Bible," "The Place That Kills," "Right or Wrong," "Just When I Needed You," "The Great Speckled Bird," "Jealousy," and many others.

Given that John Williams has his pick of much of the $80-million, thrill-packed boilerplate that comes clanging out of Hollywood every summer and fall, it's especially noteworthy (and often gratifying) when he doesn't exercise his option. In scoring Alan Parker's adaptation of Frank McCourt's Pulitzer-winning memoirs of his dire Irish upbringing in the 1930s and '40s, Williams has produced a graceful, autumnal work of compelling, though decidedly delicate, emotional power. Using spare piano and solo woodwind melodies filled with longing eloquence, Williams effectively punctuates a sweeping, largely string and wind ensemble. As he did to great effect in The Phantom Menace, the veteran leans heavily on his classical moonlighting duties for inspiration. Interspersed throughout (and also effectively underscored by his music) are concise, telling excerpts of the film's narration read by Alan Bennett.

Roxus were an Australian AOR band which existed between 1987 and 1994. Members included Juno Roxas - lead vocals, Dragan Stanić - guitar, Darren Danielson - drums, John 'Stones' Nixon - bass guitar and Andy Shanahan - keyboards. Their style used melodic keyboards with guitar-driven hard rock and elements of glam metal. Their debut album, Nightstreet (September 1991),produced by Mark Opitz (The Angels, AC/DC.Divinyls, Cold Chisel), peaked at No. 5 on the ARIA Albums Chart. Their most successful single, "Where Are You Now?" (writers - Juno Roxas, Robin Randall, Judithe Randall) (July 1991), reached No. 13 on the ARIA Singles Chart.In 1992.

Remastered Deluxe Edition with bonus disc includes B-sides, rare mixes and 5 previously unreleased tracks.
Smarting from Dazzle Ships' commercial failure, the band had a bit of a rethink when it came to their fifth album - happily, the end result showed that the group was still firing on all fours. While very much a pop-oriented album and a clear retreat from the exploratory reaches of previous work, Junk Culture was no sacrifice of ideals in pursuit of cash. In comparison to the group's late-'80s work, when it seemed commercial success was all that mattered, Junk Culture exhibits all the best qualities of OMD at their most accessible - instantly memorable melodies and McCluskey's distinct singing voice, clever but emotional lyrics, and fine playing all around…