Road Japan Bridge

Sting recorded 'The Bridge' during the pandemic with a coterie of trusted musicians beaming into his studio remotely. That easy sense of musical camaraderie, connection and kinship is on full display in the lead single 'If It's Love', an unabashed pop song which is lent wings by a whistled refrain, joyful handclaps, and uplifting brass and strings. The urgently staccato, electric guitar-driven 'Rushing Water' soars with Sting's trademark melodic invention and vivid imagery. The decidedly romantic 'For Her Love' is a delicate pledge that harkens back to some of Sting's classic ballads.

Sting recorded 'The Bridge' during the pandemic with a coterie of trusted musicians beaming into his studio remotely. That easy sense of musical camaraderie, connection and kinship is on full display in the lead single 'If It's Love', an unabashed pop song which is lent wings by a whistled refrain, joyful handclaps, and uplifting brass and strings. The urgently staccato, electric guitar-driven 'Rushing Water' soars with Sting's trademark melodic invention and vivid imagery. The decidedly romantic 'For Her Love' is a delicate pledge that harkens back to some of Sting's classic ballads. That said, Sting can breakdown the genesis of 'Harmony Road', a jazzy jam that artfully combines fever-dream, social realism and autobiography. The circle of trust of a group of likeminded musicians pulling in a myriad of brilliant directions but with one accord, is a solid foundation of 'The Bridge'.

Ever since 2001's Songs from the West Coast, Elton John and his longtime collaborator, Bernie Taupin, have been deliberately and unapologetically chasing their glory days of the early '70s, but nowhere have they been as candid in evoking those memories as they are on 2006's The Captain & the Kid, the explicitly stated sequel to 1975's masterpiece Captain Fantastic and the Brown Dirt Cowboy…

If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new track. Ever since the turn of the century, mash-ups were in vogue in the underground, as such cut-n-paste jobs as Freelance Hellraiser's "Stroke of Genius" – which paired up the Strokes' "Last Night" with Christina Aguilera's "Genie in a Bottle" – circulated on the net, but no major group issued their own mash-up mastermix until LOVE in November 2006.

James Brown - Live At The Apollo (1962) {Universal Music Japan Mini LP UICY-9283 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 163 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (jpg) -> 52 Mb | 5% repair rar
© 1962, 2003 Polydor / Universal Music Japan | UICY-9283 | Cardboard Sleeve | 24bit remastering
Funk / R'n'B / Soul / Funky Jam

An astonishing record of James and the Flames tearing the roof off the sucker at the mecca of R&B theatres, New York's Apollo. When King Records owner Syd Nathan refused to fund the recording, thinking it commercial folly, Brown single-mindedly proceeded anyway, paying for it out of his own pocket. He had been out on the road night after night for a while, and he knew that the magic that was part and parcel of a James Brown show was something no record had ever caught. Hit follows hit without a pause – "I'll Go Crazy," "Try Me," "Think," "Please Please Please," "I Don't Mind," "Night Train," and more. The affirmative screams and cries of the audience are something you've never experienced unless you've seen the Brown Revue in a Black theater. If you have, I need not say more; if you haven't, suffice to say that this should be one of the very first records you ever own.