R.I.P. David Bowie, music’s greatest innovator has died at age of 69.
The first in a series of career-spanning comprehensive box sets, Five Years 1969-1973 chronicles the beginning of David Bowie's legend by boxing all of his officially released music during those early years. This amounts to six studio albums – 1969's David Bowie (aka Space Oddity); 1970's The Man Who Sold the World; 1971's Hunky Dory; 1972's The Rise & Fall of Ziggy Stardust & the Spiders from Mars; Aladdin Sane, and Pin Ups (both from 1973); a pair of live albums (Ziggy Stardust: The Motion Picture Soundtrack and Live in Santa Monica '72, both released long after these five years) and a two-CD collection of non-LP tracks called Re:Call, plus Ken Scott's 2003 mix of Rise & Fall of Ziggy Stardust. That list suggests how "officially released" is a guideline that's easily bent.
Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1970 album HOME by PROCOL HARUM. Released in June 1970, the record followed on from the huge international success of the band's debut single A Whiter Shade of Pale and the superb albums PROCOL HARUM, SHINE ON BRIGHTLY and A SALTY DOG. Hailed by many fans as one of the finest albums released by the band, HOME saw the exquisite song writing of Gary Brooker and Keith Reid reach new heights on pieces such as The Dead Man's Dream, the epic Whaling Stories, About to Die and more. Produced by Chris Thomas, the album captured a new line-up of the band featuring Gary Brooker (voice, piano), Chris Copping (bass guitar, organ), Robin Trower (lead guitar), and B.J. Wilson (drums).
Jimmy LaFave’s rich, effusive vocals command attention and when the Austin, Texas-based singer pairs them with the right material, wonderful music results. That’s what happens on nearly every track on his self-produced latest album. LaFave—whose voice reminds me at times of the great Michael Fracasso’s—brings out every bit of melancholy in Neil Young’s “Journey through the Past” and serves up a soulful, anthemic reading of Bob Dylan’s classic “Queen Jane Approximately.” (LaFave is no stranger to Dylan covers: a 1999 retrospective includes a dozen of Bob’s songs and 2007’s Cimarron Manifesto features a reading of “Not Dark Yet” that nearly equals the spellbinding original.)
This exciting album, capturing a Brecker Brothers set at New York City’s Bottom Line on March 6, 1976, is an important document for those who feel that fusion ruled. This disc is evidence of the sonic combustion that happened in the mid-’70s when versatile musicians mixed the accessibility of rock arrangements and the deep groove of funk with the harmonic language and improvisation of jazz. The Bottom Line Archive is the only official live release of this lineup of the Brecker Brothers Band: Randy Brecker (trumpet), Michael Brecker (tenor saxophone), Don Grolnick (keyboards), Steve Khan (guitar), Will Lee (bass), Chris Parker (drums) and Sammy Figueroa (percussion). Contributing to three tracks is alto saxophonist David Sanborn, who shows off the chops that would make him a superstar in the ensuing years.
On this live recorded concert special, Lynyrd Skynyrd go back to where it all began. Back to Jacksonville, Florida. Back to the town where their high school phys. ed. teacher Leonard Skinner gave them hell for being the long-haired, booze-swilling, Rock & Roll outlaws they were. Back to the territory that gave birth to the musical and lyrical content of this most American of bands. Back to perform the entirety of “pronounced leh-nerd skin-nerd“ and “Second Helping,” the first two legendary albums that forever planted their rebel flag in the Rock & Roll landscape. The musical origins of Lynyrd Skynyrd come from the genuine, real-deal, American musical roots…
Since the kick-off early 2012 of “K(ing) (O)f (T)he W(orld)” (Erwin Java (gtr), Fokke de Jong (drs/bvox), Govert van der Kolm (Hammond/bvox) and Ruud Weber (leadvox/bgtr), things have developed prosperously for this Dutch blues, rhythm & roots band. Through the release of the 2 albums “Can't Go Home“ (2013) and “KOTW” (2014) the band definitely confirmed its status in the Dutch blues scene. Both albums scored sheer positive reviews as well in the Dutch as in the foreign music press. The group has won 5 Dutch Blues Awards in 2014 (best drummer, best keyboardplayer, best bass player, best guitarist and best bluesband). Two unique live-appearances early 2014 on the prestigious late night TV-show “Pauw & Witteman” is confirming the bands growing nationwide recognition…