Robbie+robertson

The Band - The Last Waltz (1978) [BLU-RAY] {2006 MGM-Sony}
BLU-RAY -> 21.8 Gb | 1080p WS | DTS HD 5.1 / MLA | ~ 117 m | ISO Image | Artwork | 5% repair rar
Subs: English, French, Spanish, Portuguese, Korean, Chinese, Thai
© 2006 MGM / Sony Pictures / LWP | 27616 15024
Rock / Classic Rock / Country-Rock / Rock & Roll / Contemporary Rock

It started as a concert. It became a celebration. Join an unparalleled lineup of rock superstars asthey celebrate The Band's historic 1976 farewell performance. Directed by Martin Scorsese (Raging Bull, Goodfellas), The Last Waltz is not only "the most beautiful rock film evermade" (New York Times) it's "one of the most important cultural events of the last two decades" (Rolling Stone)! Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, Van Morrison–these artists and many more grace the stage in The Band's farewell concert at the Winterland ballroom. More than a performance, The Last Waltz documents an important microcosm to evaluate the world of rock'n roll and many of its biggest stars in the 1970s. The concert rocks. The performers are inspired, appearing at the peak of their powers. And the Blu-ray release goes far beyond earlier DVD versions to reveal that The Last Waltz is indeed filmed gorgeously, with sound that is both rich and refined.

A Musical History is the second box set to anthologize Canadian-American rock group The Band. Released by Capitol Records on September 27, 2005 it features 111 tracks spread over five Compact Discs and one DVD. Roughly spanning the group's journey from 1961 to 1977, from their days behind Ronnie Hawkins and Bob Dylan through the departure of Robbie Robertson and the first disbanding of the group. The set includes highlights from each of the group's first seven studio albums and both major live recordings and nearly forty rare or previously-unreleased performances…

The first studio album of Band originals since 1971's Cahoot – in many respects, Northern Lights-Southern Cross was viewed as a comeback. It also can be seen as a swan song, in that its recording marked the last time the five members would work together in the studio as a permanent group, with a commitment to making a record they would tour behind and build on as a working band. The album was also, ironically enough, the Band's finest since their self-titled sophomore effort, even outdoing Stage Fright.

Recorded on New Year's Eve 1971/72, this was the Band's last gig for a year and a half. Allen Toussaint was brought in again to write horn arrangements for many of the Band's classics. The results were inspired. Highlights are many, but of particular note are a cover of the Four Tops's "Baby Don't Do It" and a live recording of a track that had earlier been relegated to B-side status only, "Get up Jake." [AMG]

It is the album where this group drops its masks and speaks directly to the audience about themselves and each other.

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor. The dominant instrument was Garth Hudson's often icy and majestic organ, while Robbie Robertson's unusual guitar work further destabilized the sound. The result was an album that reflected the turmoil of the late '60s in a way that emphasized the tragedy inherent in the conflicts. Music from Big Pink came off as a shockingly divergent musical statement only a year after the ornate productions of Sgt. Pepper, and initially attracted attention because of the three songs Bob Dylan had either written or co-written. However, as soon as "The Weight" became a minor singles chart entry, the album and the group made their own impact, influencing a movement toward roots styles and country elements in rock. Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre. Allmusic.