Robbie Robertson was once asked why he waited 11 years after the breakup of the Band to release a solo project, and he replied, "I wasn't so sure I had something to say." One can hear a bit of this thinking in Robertson's self-titled solo debut; it's obvious that he didn't care to revisit the country- and blues-flavored roots rock that had been his bread and butter with the Band, and at the same time Robertson seemed determined to make an album that had something important to say, and could stand alongside his legendary earlier work…
The titular pun of Sinematic cuts both ways. Robbie Robertson drew inspiration from his work for the silver screen – in particular, Martin Scorsese's The Irishman, which resulted in the Van Morrison duet "I Hear You Paint Houses," whose title is pulled from the title of the Frank Sheeran memoir that serves as the basis for the Scorsese film – but Sinematic also feels distinctly like a collection of aural short films. Throughout the album, Robertson relies on atmosphere, a vibe he builds with swathes of synthesizers, half-spoken, half-sung vocals, in the pocket rhythms, and plenty of tasty licks. Such studio precision has been a hallmark of Robertson's solo work, but Sinematic largely dispenses with darkness, at least sonically speaking.
Named one of Rolling Stone s 100 Greatest Guitarists of All Time, Robbie Robertson sets to release, How To Become Clairvoyant, his fifth solo album and his first record in more than 10 years. Guitar virtuosos Eric Clapton (who co-wrote three tracks with Robertson), Tom Morello and Robert Randolph guest on the album, which Robertson co-produced with Marius de Vries. How To Become Clairvoyant also features Steve Winwood and Trent Reznor as well as vocalists Angela McCluskey, Rocco Deluca, Dana Glover and Taylor Goldsmith of Dawes. Bassist Pino Palladino and drummer Ian Thomas lay down the groove throughout.
Ex-Band songwriter/guitarist Robbie Robertson put together this soundtrack, which allowed him to collaborate with blues master Willie Dixon and jazz master Gil Evans, though it was his collaboration with Eric Clapton that produced the album's hit song, "It's in the Way That You Use It." Also featured: Don Henley, Robert Palmer (three tracks), and B. B. King.
Robbie Robertson's 1987 solo debut was an ambitious but only intermittently successful attempt to chart a new musical direction for himself 11 years after the Band had publicly called it quits. Four years later, Robertson's second solo set, Storyville, found him in much more familiar musical territory, as he steeped himself in both the music and the lore of New Orleans, the birthplace of jazz and home to many of the R&B masters who had been a primal influence on Robertson and the other members of the Band…
A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.