Robert Kuhn

"Maria the Gun" is a progressive album of multiculture American folk and rock and roll music scehduled for release in August 2017. It was recorded at Wolfe Island Studios (Dayton, TX) and Mixed and Mastered with Sugarhill (Houston, TX).

Kuhn is a jazz pianist whose recordings may have been out of the jazz mainstream for most of the five decades his career has spanned, but it hardly matters. Kuhn's style is signature, though his explorations have taken him to many different terrains in the world of jazz, from knotty post-bop to pointillism and modalism and through the nefarious world of 20th century vanguard composition to the place where listeners find him now: the place of a supreme and unabashed lyricism that is as sophisticated and forward-looking as it is historical and inclusive.

This collection brings together three much sought-after recordings by Steve Kuhn: the solo piano album “Ecstasy” (recorded 1974), and two quartet albums. “Motility” (1977) features the band of the same name with saxophonist Steve Slagle in the front line, while “Playground” (1979) is the album that introduced the Steve Kuhn-Sheila Jordan Quartet. Singer Jordan is of course one of the great jazz vocalists, and this was an inspired teaming. Kuhn himself is a superlative pianist of vast gifts; each of these recordings illuminates another aspect of his work. Of these three discs only “Ecstasy” was previously available on compact disc, and then only in Japan. “Motility” and “Playground” here receive their first CD releases.

Before Otto Nicolai wrote the major work for which he is known–The Merry Wives of Windsor–he wrote Italian operas, of which Il Templario, first shown in 1840 in Turin and given more than 70 productions over the next 40 years, was the third. This recording is a reconstruction of Il Templario from various versions–there were revisions in Italy, a German language edition, a French piano-vocal score–by the musicologist Michael Wittmann. The result is a full-blown, exciting Italian opera in the bel canto tradition (more like Bellini, Mercadante, and Meyerbeer than Rossini) that looks forward to the energetic, melody-filled works of the young Verdi.