Robert M May

Robert Fripp - Exposure (1979) {2CD Set Discipline Global Mobile Remaster Limited Edition DGM0602 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 669 Mb | MP3 @320 -> 242 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1979, 2006 Discipline Global Mobile | DGM0602
Rock / Art Rock / Experimental / Prog-Rock / Avant-Prog

Robert Fripp's solo debut, originally released in 1979, Exposure is not only an important release historically in terms of influencing much music to come, including post-punk popular groups of today, it also is a who's who of guest musicians from Daryl Hall to Peter Gabriel, Peter Hammill, Terre Roche, Brian Eno, Tony Levin, Phil Collins, Narada Michael Walden, Jerry Marotta, Barry Andrews and Sid McGinnis. This standard edition is being released as a two disc set, with 24-page booklet. Remastered with many previously unreleased tracks. The jewel case version is being released simultaneously with a limited edition gatefold deluxe version which will appeal to the large base of serious Fripp collectors. Only packaging differs between the two versions tracks remain the same.

We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.

George Frideric Handel - Messiah
Robert Shaw Chorale and Orchestra / Robert Shaw
EAC+LOG+CUE | 2x CD, FLAC: 723 MB | Artwork: 35 MB | 5% Recovery Info
Label/Cat#: RCA Red Seal # 082876-62317-2 | Country/Year: US 2004, 1966
Genre: Classical, Historical Recording | Style: Baroque, Oratorio, Sacred

Recorded in 1966, Robert Shaw's Grammy Award-winning performance of Handel's Messiah marks an important turning-point in this work's interpretation, clearly moving away from the ponderous, overly reverential style of early twentieth century renditions and pointing toward the leaner versions of the 1970s onwards, which follow Baroque-period practices. (…) Evenly divided between two discs, this recording of Messiah is complete, and it is preferred over RCA's 1992 excerpt album The Great Choruses from Messiah.