Kateřina Kněžíková's lyric coloratura soprano has delighted audiences in numerous music centres worldwide, both at opera houses and concert venues. She has appeared with the BBC Symphony Orchestra, the Bamberger Symphoniker, Camerata Salzburg, the Czech Philharmonic, the Deutsches Symphonie-Orchester Berlin, the Mahler Chamber Orchestra, etc. under the baton of conductors of such renown as J. Bělohlávek, S. Baudo, M. Honeck, J. Hrůša, T. Netopil and R. Ticciati. The highlights of her career include the invitation to portray the title role in Janáček's opera Katya Kabanova in Glyndebourne. Kateřina Kněžíková's debut Supraphon solo album features enchanting fin de siecle songs, "… songs that are particularly close to my heart and voice, all of them dating from the turn of the 20th century, all of them tinged with Impressionism," as the singer herself put it.
The Choir of New College Oxford, one of the most acclaimed British choral ensembles, makes its Linn debut with a recording of works by the English Renaissance composer John Sheppard. New College Choir was already 150 years old when Sheppard arrived in Oxford intent on contributing to the wealth of choral polyphony that defined the era.
‘The Ringmaster - Part 2’ continues and now completes the ‘Ringmaster’ story that Rob Reed started with the release of ‘Part 1’ in October 2021!
The new solo album from Rob Reed (Magenta/Cyan/Sanctuary), the follow-up to the successful Sanctuary series. Again, Rob has collaborated with Tubular Bells producer Tom Newman and multi-instrumentalist Les Penning on the album, along with drummer Simon Phillips and multi-instrumentalist Troy Donockley. The Ringmaster albums will be released in two parts, with the second instalment coming in early 2022.
Back in 1997, Led Zeppelin released BBC Sessions, the band's first attempt to chronicle its heavily bootlegged live recordings for the British Broadcasting Corporation. That double-disc set didn't contain all of Zep's BBC Sessions: a full nine songs from 1969 were left behind, including three songs recorded in March – a session highlighted by the otherwise unavailable original "Sunshine Woman" – that were believed to be lost. The 2016 triple-disc set The Complete BBC Sessions adds those songs as a third disc to a remastered version of the original 1997 compilation, an addition that doesn't greatly alter the overall picture of Zeppelin's BBC Sessions but offers a whole lot of additional value…
Cray found himself in some pretty intimidating company for this Grammy-winning blues guitar summit meeting, but he wasn't deterred, holding his own alongside his idol Albert Collins and Texas great Johnny Copeland. Cray's delivery of Muddy Waters' rhumba-rocking "She's into Something" was one of the set's many highlights.
Robert Glasper is a man of many talents. Certainly, he's both an inarguably accomplished jazz pianist and a first-rate composer. But what Glasper does best is pick drummers. With 2007's In My Element, he provided Damion Reid with a platform to record nothing less than the drum performance of the year. For this album, Glasper teams up with Chris Dave, and the results are astonishing. It's a concept album, sort of. The first half features the Trio (Glasper, Dave, and bassist Vicente Archer) on a handful of originals and a take on Thelonius Monk's "Think of One." Throughout, the piano and drums intertwine with a complex integrity that sounds deceptively effortless. Then comes the Experiment: Derrick Hodge replaces Archer with an electric bass; Casey Benjamin adds saxes and vocoder; Bilal and Mos Def drop in for vocal cameos. The Experiment's five tracks differ in texture and depth from the Trio's set, but the adventurousness of the performances and the gorgeous lyricism of Dave's drumming fuse the album's halves into a single musical statement that makes for the year's best jazz album so far.
Rock Bottom, recorded with a star-studded cast of Canterbury musicians, has been deservedly acclaimed as one of the finest art rock albums. Several forces surrounding Wyatt's life helped shape its outcome. First, it was recorded after the former Soft Machine drummer and singer fell out of a five-story window and broke his spine. Legend had it that the album was a chronicle of his stay in the hospital…