West Coast vocalist, guitarist, and songwriter Robert Lucas forged a path for himself in the blues world after the release of his much-hailed 1990 self-produced debut cassette, Across the River. Based in Long Beach, CA, as a solo artist Lucas recorded for the Audioquest label out of San Clemente. He was also a member of the legendary boogie blues band Canned Heat, singing and playing bottleneck guitar and harmonica with the group off and on starting in 1994. Lucas paid homage to traditional blues but also carefully crafted his own singing and slide guitar style. These talents are on ample display on his Audioquest albums, including Luke and the Locomotives, Usin' Man Blues, Built for Comfort, Layaway, and Completely Blue, all released during the '90s, as well as latter-day Canned Heat albums on the Ruf and Fuel 2000 labels.
Albert Lortzings Opern werden leider heute nur noch selten gespielt. Das ist schade, denn zum einen lassen sie sich mit relativ geringem Aufwand sehr effektvoll auf die Bühne bringen - Lortzing war selber Schauspieler und Spieltenor, wusste also, was er sich und seinen Kollegen zumuten durfte.
Before Otto Nicolai wrote the major work for which he is known–The Merry Wives of Windsor–he wrote Italian operas, of which Il Templario, first shown in 1840 in Turin and given more than 70 productions over the next 40 years, was the third. This recording is a reconstruction of Il Templario from various versions–there were revisions in Italy, a German language edition, a French piano-vocal score–by the musicologist Michael Wittmann. The result is a full-blown, exciting Italian opera in the bel canto tradition (more like Bellini, Mercadante, and Meyerbeer than Rossini) that looks forward to the energetic, melody-filled works of the young Verdi.
„Rudolf Innig’s profound artistic and scholarly knowledge makes him the perfect interpreter for Schumann’s elaborately and expertly designed organ works. The versatile organist has been honoured with numerous international prizes…” (Fanfare, 1996)
With the release of Grab Bag: 2007-2023, The Greyboy Allstars, once again, redraw the boundaries and redefine the terms of their iconic brand of West Coast boogaloo. The title of this eighth LP from GBA could suggest a random assortment of miscellaneous tracks, yet rest assured there is nothing random, nothing miscellaneous about these nine stellar cuts, previously unreleased over the past decade and a half of the quintet’s illustrious 30-year history. Perhaps stylistic and sonic outcasts resulting in their exclusion from previous albums, here they seamlessly come together to highlight the more experimental side of the quintet’s ever-evolving sound and vision.