Rock Star Supernova Rock Star Supernova

As this expansive (though not entirely as "complete" as promised) anthology reminds us, Comus' frightening musical visions surely represented the darkest side of England's late-'60s folk-rock movement. Like a Fairport Convention from Hell, the group pushed folk boundaries into alien progressive, psychedelic, and acid rock realms, capping it with desperate and macabre subject matter and warping all the genres involved (and numerous minds) in the process. 1971's disorienting, often terrifying debut, First Utterance, could have doubled as (and may have well inspired, in part) the soundtrack to Robin Hardy's The Wicker Man a few years later, given its recurring pagan themes and varied blend of voices (some male, some female, some…?) and instrumentation (flute, oboe, strings, etc.).

Originally streamed on December 5, 2020, the show became one of the most memorable performances of the lockdown era. Liam followed the precedent set by the Sex Pistols and The Clash, and decided to hit the River Thames, armed with a boatload of attitude, a phenomenal live band (including Bonehead) and an arsenal of classic songs. Acclaim included a four-star review from i, who declared the show to be, “A reminder of why the younger Gallagher is now the fans’ favourite.”

The fourth in a series of comprehensive box sets chronicling David Bowie's entire career: Loving the Alien (1983-1988) covers a period that found Bowie at a popular peak yet somewhat creatively adrift. Once Let's Dance went supernova in 1983, as it was designed to do, Bowie's productivity slowed to a crawl: he knocked out the sequel, Tonight, in a year, then took three to deliver Never Let Me Down. By the end of the decade, he rediscovered his muse via the guitar skronk of Tin Machine, but Loving the Alien cuts off with Never Let Me Down, presented both in its original version and in a new incarnation containing tasteful instrumentation recorded in the wake of Bowie's death…

Celebrated Greek progressive psych band NAXATRAS have awoken once again with a mesmerising new album IV. It sees the band move away from their traditional analogue trademarked sound to something more precise and multilevelled. This has given them the ability to explore the outer limits of their psychedelic world, allowing for the band to expand from a trio to a quartet with the recruitment of keyboardist Pantelis Kargas…

Stop the Clocks is a compilation album by English rock band Oasis, released on 20 November 2006. The "retrospective collection" is an 18-track double album with the featured songs chosen by Noel Gallagher; however, it does not actually include their song "Stop the Clocks" after which the album is named. It went 5x Platinum in the UK with sales better than any Oasis album there since Be Here Now.