If you lived outside America during the 1950s, when rock & roll exploded across the world, the opportunities to see your idols in the flesh were few and far between. Even at home, in North America, Elvis Presley, Little Richard, Buddy Holly and Jerry Lee Lewis could only be in one place at a time when performing live. So the obvious marriage was made, between rock & roll and the movies. And back then, all the songs you hear spread over this comprehensive 3CD collection could be heard – and seen! – at the cinema.
The ten CDs are, so to speak, the antidote to our eroticly charged box '' Sex, Drugs And Alcohol '': Absolutely youthful, this new edition is full of romance, longing, love cries and the accompanying drama. The Rockn Roll era, which was otherwise so wild, has given us a lot of memorable love songs, which the young Elvis was so lucky enough to make on his first LP. He is in this box as well as many of his Rock'n'Roll-colleagues, but there are hardly any well-known singers, who have not dealt with heartache and love-passion during their career:
The year was 1947: World War II was over and there was music in the air, with Frank Sinatra making teenagers swoon. On other airways, primarily black radio stations, another, earthier music was being played which would become the foundation for what is now called rock & roll. Back then it was called the blues and rhythm & blues, and its voices had names like Wynonie Harris, Willie Dixon, and Sister Rosetta Tharpe. Among its musicians were Big Bill Broonzy, Hosea Sapp, and Thunder Smith. This CD is part of a series that chronicles the history of this music that was to have such an impact on rock & roll. This volume collects some of the great hits of 1947, when many baby boomers were born, who would go on to become the major supporters of the idiom…
This CD is part of a comprehensive study of the early influences of rock & roll. The blues and rhythm & blues sound created by African American artists, as well as a few crossover Anglo musicians, in the late '30s, '40s, and the '50s, laid the foundation for what was to become rock & roll. It was a sound characterized by a throbbing drumbeat and sensual notes on piano and horns, often with lyrics to match its earthy quality. Volume six collects some notable recordings of the year 1950, just before the big rock & roll explosion caused by artists such as Bill Haley & His Comets and Elvis Presley. The compilation makes clear the great musical debt these artists, who became rich and famous, owed to earlier artists, many of whom remained poor and obscure…
To discover the origins of rock & roll, one has to return to the music of the 1930s and '40s, when the blues and rhythm & blues ruled the airwaves. The musical geniuses of these genres were primarily African American, although a few Anglo artists crossed over into the earthy music played in dance halls and on the radio. Few of these artists cashed in like their spiritual descendants a generation later. Nonetheless, they have left a legacy in song of their rich tradition. This CD is part of a series that traces the colorful history of rock & roll to its source. Making an appearance are New Orleans R&B giants Fats Domino and Dave Bartholomew. Other well-known artists include B.B. King, Wynonie Harris, Tennessee Ernie Ford, Louis Jordan, Champion Jack Dupree, and the Sons of the Pioneers…
In the Roots of Rock N' Roll series, this volume covers 1951, a year flowing with lively, rhythmic and humorous master-pieces - all the ingredients for pure Rock 'n' Roll. Fats Domino, Tennessee Ernie Ford and Wynonie Harris are still around. But they have to make room for the newcomers who are to add spice to Rock 'n' Roll - Little Richard, Bill Haley. Big Mama Thornton…
Rock & roll music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the blues and rhythm & blues artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the rock & roll idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before rock & roll had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called rock & roll…
This is the eighth (and last) volume in a series of double-disc anthologies from French label Fremeaux Records that chronicles the years that led up to the birth of rock & roll. While the magic year of 1954 is usually accepted as the dawn of the rock & roll age, the whole matter has always generated a good deal of debate, and this installment in the Fremeaux series only muddies the waters, since the year it covers, 1952, shows things rocking along pretty well. One could argue that some of the tracks here, like Wally Mercer's wonderful "Rock Around the Clock," are really just speeded-up R&B, and technically, that's probably so, but there's no denying that something resembling the rock & roll attitude is already in full swing in 1952…