Nearness

For saxophonists not familiar with Bloom's playing, this is an excellent release to do so with. The tunes are a mixture of originals and arranged standards and offer some great ensemble playing as well as solo work. Bloom has also procured a stellar group to create the music with as well, including Kenny Wheeler on trumpet and flugelhorn, Julian Priester on trombones, Bobby Previte on drums, Rufus Reid on bass, and Fred Hersch on piano. Bloom's soprano tone should be a benchmark for musicians wishing to hear what a well-played soprano saxophone sounds like. Not only is her "sound" superb, so are her incredibly well-chosen notes in solo passages. Bloom has an great amount of facility in all registers and blends this seemlessly with the arrangements around her.

From Out Of The Vast Comes Nearness, Paul Ellis‘ first release on the Lotuspike label, is a purely electronic expression of five long-form pieces that blend ambient sound design with rhythmic electronics, recalling the classic works of genre masters like Tangerine Dream, Klaus Schulze or Vangelis; but with a restrained modern air. With a mixture of synthesized sonics, both melodic and cerebral, the music brings to mind the unfolding expanse of the cosmos, stated with a graceful patience that propels the steadily evolving, constantly moving synthscapes to a highly personal level. Fans of Paul’s style will recognize his signature immediately, and while this new work retains familiar elements from his earlier releases, it is perhaps his most reflective album to date…

"The man who was Django’s prestigious partner in the first, immortal Quintette du H.C.F. has made an appearance (on wax) for Barclay with a series of recordings in which you can rediscover his pretty sound and abundant, easy ideas; in a word, his style which, though with less of a bite than before, has lost none of its grace." Those were the first lines of the review that a certain Michel Delaroche (in fact Boris Vian) wrote for the November 1955 issue of Jazz Hot; the subject was this album, the first that Stéphane Grappelli ("Grappelly" at the time) had made on violin under his own name since he'd left England.
The violinist had celebrated his definitive return to France at the Club Saint-Germain on the night of April 25th 1954; he would appear there on and off for the next seven years…

Nearness finds acclaimed jazz saxophonist Joshua Redman and pianist Brad Mehldau teaming up for a set of loose yet heartfelt duo performances. Collaborators since they first began playing together in Redman's quartet in the early '90s, Mehldau and Redman have forged their own distinct solo careers. While they have continued to work together in various settings, the duo put a spotlight on their creative friendship with their 2011 tour. Nearness features live performances captured during the European leg of that tour, including tapings in Spain, Switzerland, the Netherlands, Germany, and Norway. These are dazzlingly collaborative performances that reveal Redman and Mehldau to be a highly intuitive and harmonically adroit team.