Nearness

Bennie Wallace has long been known for his sudden interval leaps and somewhat angular approach, and this studio date is no exception, though it focuses exclusively on standards written between the 1930s and 1950s. The tenor saxophonist chose two top-caliber musical partners, pianist Kenny Barron and bassist Eddie Gomez, to join him on his excursions, all of which are delightful.

As relationships evolve, a special language can develop between partners. This language can foster new ways of approaching syntax and messages that have been often repeated. The duo of drummer Allison Miller and pianist Carmen Staaf found their voices together with repeated, enthusiastic involvement in a variety of musical settings.

Bennie Wallace has long been known for his sudden interval leaps and somewhat angular approach, and this studio date is no exception, though it focuses exclusively on standards written between the 1930s and 1950s. The tenor saxophonist chose two top-caliber musical partners, pianist Kenny Barron and bassist Eddie Gomez, to join him on his excursions, all of which are delightful.

Nonesuch Records releases saxophonist Joshua Redman and pianist Brad Mehldau's Nearness, the longtime friends' and collaborators' first duo album, on September 9, 2016. Nearness, a selection of duets recorded live during their recent European tour, is available for pre-order now at iTunes and in the Nonesuch Store, where an instant download of the album track “Ornithology” is included with purchase. You can hear the track and find out where the duo will be performing together this fall below; for all the latest tour details, visit nonesuch.com/on-tour.

Alternately breathy and atmospheric or bright and dynamic, Helen Merrill often reaches a bit too far on The Nearness of You, though her distinct style and strong personality may be refreshing to vocal fans tired of the standard versions of standards. Leading two separate sextets the rather more famous one, with Bill Evans, Bobby Jaspar, Oscar Pettiford, and Jo Jones, appears on only four tracks Merrill breezes over a raft of mid-tempo standards, with several detours through high-drama territory. Her powerful voice occasionally gets her into trouble, breaking from breathy to brash and often occupying a rather awkward middle ground.

Technologies of Being in Martin Heidegger attempts to deepen the dialogue between philosophy of education and philosophy of technology, while engaging with the thought of Heidegger, Jacques Derrida and Bernard Stiegler. Through a critical reading of Heidegger’s central notion of nearness, this book argues that thinking is intricately conditioned by technologically produced images, which are themselves interacting with imagination’s schematizing power.