Rockers

Echoing the power, aggression, and highly charged political anger of the Clash's early work, the Red Rockers' debut album began a cult following - their guitars have teeth, the bass is loud and thick, the drums thump and the vocals cry - This is the essence of the band's five years as America's most pure punk band!

The multi-instrument has put down his trumpet, picked up a guitar and a band, and recorded a brooding country album. Andy Watts & The Blue Mountain Rockers 'Turn The Lights Out' artworkLondon-based musician Andy Watts - known as a session trumpeter and member of bands such as Running Club and 6 Day Riot - has been inspired to make a country-fused record. Jumping into the genre headfirst, it’s immediately apparent that Americana’s tear-stained waters make a welcome pool for his songwriting to swim around in. His intriguingly unlovely voice also finds a welcome home, rich with suffering as it struggles against the tide.

1999 debut album by band fronted by former Operation Ivy frontman/lyricist Jesse Michaels, that time his first real band in over a decade. Musically, this is a logical extension of his former band, combining heartfelt punk, rock-steady reggae influences and Buddy Holly-style stripped down Rock & Roll.

Subtitled “80 tracks of Rockers, Shockers & Teenyboppers!” a four CD clamshell box set is exactly that!. Over two years in the planning, this release provides a ‘bridge’ between the well- known and the obscure of the Glam Rock era. Featuring household names like T Rex, Suzi Quatro, Slade, Alvin Stardust and The Glitter Band are joined by Junk Shop Glam rarities from the likes of Bitch, Crunch, Ritz, Streakers and Angel.And tracks from Slik, Mud, Mungo Jerry, Geordie, Chicory Tip and many more. With many tracks appearing on CD for the first time; all remastered by James Bragg.

Four CD set. Following on from the critical and commercial success of Can The Glam comes Teenage Glampage - Can The Glam 2. Featuring a further 80 Glambusters spread over 4 CDs, covering the well known to the ultra obscure. Including Top 20 hits from the likes of Mott The Hoople, Wizzard, The Sweet, Cozy Powell, Geordie and Mud through to Junk Shop Glam obscurities from the likes of Sting, Soho Jets, Buster, Hector and Iron Cross. From Teenyboppers like Child, Flintlock and The James Boys via Rockers from Stevie Wright, Ted Mulry Gang, Trevor White and Angel to bandwagon jumpers like Barron Knights and Brotherhood Of Man, this release covers the whole spectrum of the 70s Glam Rock explosion. Each track is illustrated and has a biog, the booklet running to 32 pages and over 10,000 words, all housed in a clam shell box. With many tracks are appearing here on CD for the first time.

Like John Lee Hooker, Memphis Slim was very much a label-hopper – from the '40s to the '80s, it was safe to assume that the singer/pianist wouldn't stay at one label for too long. In the '50s, Slim did some of his best work for United, a Chicago-based indie whose catalog has since been acquired by Delmark (another Windy City label). Slim's United period of 1952-1954 is the focus of The Come Back, a 20-track collection that Delmark assembled in 2002.