Roger 192

Roger Waters, co-founder and principal songwriter of Pink Floyd, fuses the epic and the personal in Roger Waters The Wall, a concert film that goes well beyond the stage. Based on the groundbreaking concept album, Roger Waters The Wall could be called a concept film: it's a state-of-the-art show that dazzles the senses, combined with an intensely personal road trip that deals with the loss Roger has felt throughout his life due to war. On stage and now on film, Waters has channeled his convictions into his art and his music. With Roger Waters The Wall, Waters – together with his fellow musicians and his creative collaborators – brings audiences an exultant ride of a rock and roll concert, and delivers an unforgettable, deeply emotional experience.

This is Roger Hodgson's third solo studio album, 13 years after his second, the experimentalHai Hai (1987). During those 13 years, Hodgson had his personal challenges, including some health difficulties, but he did manage a tour, which is represented by 1997's Rites of Passage…

Roger Waters may not have made an album of new material between 1992 and 2017, but he was very active during that quarter-century. He toured regularly, wrote an opera, reunited Pink Floyd for the 2005 charity concert Live 8, and revived The Wall several times, turning the self-absorbed rock opera into a political piece. Is This the Life We Really Want?, his fourth song cycle, picks up on this thread, functioning as barbed protest music for the age of Brexit and Trump…

Former Deep Purple bassist Roger Glover's first true solo album is an ambitious concept built around the properties and powers of the four elements – earth, wind, water, and fire – with the four principle tracks dedicated to each one in turn. Recorded with the Munich Philharmonic, plus an impressive arsenal of keyboards, percussion, and wind, the sound of the album is vast, yet never so prepossessing as to leave the listener feeling at all alienated by another ham-fisted attempt to meld rock with the classics…

Sought-after jazz funk rarity from reed-master Roger Glen. Produced by the Mizell brothers and featuring Bill Summers and Paul Jackson from the Headhunters.