Rolling Stones Out Of Our Heads

In 1965, the Stones finally proved themselves capable of writing classic rock singles that mined their R&B/blues roots, but updated them into a more guitar-based, thoroughly contemporary context…

The Rolling Stones - Out Of Our Heads. UK version (1965) {Japan Mini LP Remastered 2006, UICY-93017}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 96 Mb | MP3 @320 -> 64 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar | DSD | Mastering by Bob Ludwig
© 2006 ABKCO Records / Universal Music Japan | UICY-93017
Rock / Classic Rock / Blues Rock

Encore press release of The Rolling Stones cardboard sleeve reissue series featuring DSD remastering. Part of a 22-album The Rolling Stones cardboard sleeve reissue series featuring the albums "England's Newest Hit Makers," "12 x 5," "The Rolling Stones, Now!" "Out of Our Heads," "Out of Our Heads (UK Version)," "December's Children (And Everybody's)," "Big Hits (High Tide And Green Grass)," "Aftermath," "Aftermath (UK Version)," "Got Live If You Want It!" "Between The Buttons," "Between The Buttons (UK Version)," "Flowers," "Their Satanic Majesties Request," "Beaggars Banquet," "Through The Past, Darkly (Big Hits Vol. 2)," "Let It Bleed," "Get Yer Ya-Ya's Out!" "Hot Rocks 1964-1971," "More Hot Rocks (Big Hits & Fazed Cookies)," "Singles Collection: The London Years," and "Metamporphosis (UK Version)."

The usual assumption is that the British-issued Rolling Stones albums of the mid-'60s are, like the Beatles' British LPs of the same era, more accurate representations of the group and its work than their American equivalents; the latter were tailored to the U.S. market and usually had singles that had been recorded and released separately added to their programming. The reality, however, is that the group's British LPs were almost as much of a hodgepodge, but just devised differently. The U.K. version of Out of Our Heads actually came out later than its American counterpart by about a month and opens with the roaring, frenetic "She Said Yeah" rather than the soulful slowie "Mercy Mercy" (which follows it here).