Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.
Rod Stewart may have begun his career as a respected singer, yet that critical respect eroded as he got older, as he became more concerned with stardom and adult contemporary songcraft than the rock music that launched him. While he has recorded some terrible albums and he would admit that freely Stewart was once rock & roll's best interpretive singer as well as an accomplished songwriter, creating a raw combination of folk, rock, blues, and country that sounded like no other folk-rock or country-rock material. Instead of finding the folk in rock, he found how folk rocked like hell on its own.
Inspired by The Looking Series collections on RPM of UK 60s Nuggets, we now look in the world mirror at New Zealand. The country furthest from the UK and in this context the country most like the UK. For the latest in the RPM /Frenzy Music collaborations, following sets from Larry’s Rebels , The Fourmyula , Ray Columbus, The Dave Miller Set , and the Girl Group Sound down-under on “Come and See Me”, we explore the mid 60’s club scene and the various classic singles tailored for that scene.
A mix of new interviews with old footage and recordings, this documentary, narrated by Danny Glover, highlights legendary Mississippi blues guitarist-singer Robert Johnson (1911-38). Kevin Moore (who records as Keb Mo) appears as Johnson in narrated reenactment sequences, and producer Don Law is portrayed by Don Law Jr. With both color and black-and-white footage, the film traces the brief but extremely influential career of this near-mythic figure, generally regarded as the king of the Delta blues. Shown at the 1997 Boston Film Festival.